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241.
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Film and Philosophy:
Volume >
4 >
Issue: Volume IV
Addresses of Contributors
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242.
|
Film and Philosophy:
Volume >
5/6
Dan Flory
Editor's Introduction
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243.
|
Film and Philosophy:
Volume >
5/6
E. M. Dadlez
Quasi-Fearing Fictions
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244.
|
Film and Philosophy:
Volume >
5/6
Deborah Knight
Being Don Juan:
Identity, Metafiction, and the Conflict of Desires
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245.
|
Film and Philosophy:
Volume >
5/6
Bert Olivier
Reason and/or Imagination:
Peter Weir's Dead Poets Society
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246.
|
Film and Philosophy:
Volume >
5/6
Richard Gilmore
Oedipus Techs:
Time Travel as Redemption in The Terminator and 12 Monkeys
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247.
|
Film and Philosophy:
Volume >
5/6
Craig N. Bach
Nietzsche and The Big Sleep:
Style, Women, and Truth
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248.
|
Film and Philosophy:
Volume >
5/6
Joseph H. Kupfer
The Work of Love-At Work on Board The African Queen
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249.
|
Film and Philosophy:
Volume >
5/6
Richard Gilmore
Into the Toilet:
Some Classical Aesthetic Themes Raised by a Scene in Trainspotting
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250.
|
Film and Philosophy:
Volume >
5/6
Alan Goldman
Specificity, Popularity, and Engagement in the Moving Image
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251.
|
Film and Philosophy:
Volume >
5/6
Allan Casebier
Noël Carroll's Theorizing the Moving Image
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252.
|
Film and Philosophy:
Volume >
5/6
Noël Carroll
Defending Theorizing:
Responses to Casebier and Goldman
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253.
|
Film and Philosophy:
Volume >
5/6
Alan Goldman
Response to Carroll
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254.
|
Film and Philosophy:
Volume >
5/6
Allan Casebier
Response to Carroll
|
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255.
|
Film and Philosophy:
Volume >
5/6
Noël Carroll
Defending Theorizing II: The Sequel
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256.
|
Film and Philosophy:
Volume >
5/6
Joseph Margolis
Mechanical Reproduction and Cinematic Humanism
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257.
|
Film and Philosophy:
Volume >
5/6
Dan Flory
Aesthetic Cognition and Visible Intelligibility
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258.
|
Film and Philosophy:
Volume >
5/6
Noël Carroll
Margolis, Mechanical Reproduction and Cinematic Humanism
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259.
|
Film and Philosophy:
Volume >
5/6
Thomas E. Wartenberg
Cinematic Humanism or Grand Theory?:
A Critique of Margolis
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260.
|
Film and Philosophy:
Volume >
5/6
Flo Leibowitz
Why Intention Matters:
On Carroll and Film Interpretation
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