301.
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Claudio Bernardi
Theatrum Pietatis:
Images, Devotion, and Lay Drama
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302.
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Barbara De Marco, Sandro Sticca
Preface:
Performance and Traditions of Scholarship
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303.
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Thomas H. Bestul
The Passion Meditations of Richard Rolle:
The Latin Meditative Tradition and Implications for Authenticity
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304.
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Jody Enders
Death by Dance
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305.
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Robert R. Edwards
Performing Boccaccio's Questioni d'Amore
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306.
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Konrad Eisenbichler
Saint or Politician?:
The Ambivalence of the Converted in Lorenzo de' Medici's Rappresentazione di Santi Giovanni e Paolo
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307.
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Nerida Newbigin
Mass Media:
Visuauzing the Last Supper in Late Medieval Italian Plays
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308.
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Charlotte Stern
Nativity Celebrations in Medieval Iberia:
The Role of Fray Íñigo de Mendoza
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309.
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Paola Ventrone
Between Acting and Literacy:
On the Origins of Vernacular Italian Comedy
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310.
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Elsa Strietman
Show and Tell:
Entertainment and Persuasion Tactics in Louris Jansz. of Haarlem's Vanden Afval Vant Gotsalige Weesen
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311.
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Joseph Carroll
Conceptuauzing Cyning and Konungr in the Heimskringla and Beowulf
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312.
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Mary Dzon
Margery Kempe's Ravishment Into the Childhood of Christ
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313.
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John Mulryan, Steven Brown
Venus and the Classical Tradition in Boccaccio's Genealogia Deorum Gentilium Libri and Natale Contfs Mythologiae
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This paper is a comparative study of the accounts of the goddess Venus in the Genealogia of Giovanni Boccaccio (1313-1375) and the Mythologiae of Natale Conti (1520?-1382?). Conti's superior knowledge of Greek, access to Greek sources unknown or incomprehensible to Boccaccio, easily accessible Latin prose style, and exceptional organizational skills, enabled him to create a richer, more extensive, and more accurate account of the goddess than Boccaccio could provide. Both Boccaccio and Conti escape from the binary, antithetical understanding of Venus that dominated medieval commentary. Conti focuses on the paradox of a beautiful goddess representing ugly things; Boccaccio's organizational scheme (based on a flawed genealogical chart originating with the supposed god Demogorgon) makes for a more disparate approach to symbolic interpretation, interesting in parts but thematically unfocused.
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314.
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Cristina Mourón-Figueroa
Mel Gibson's the Passion of the Christ and the York Cycle:
A Comparative Study of Violence as Dramatic Device
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315.
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Samuel Mareel
For Prince and Townsmen:
An Elegy by Anthonis De Roovere on the Death of Charles the Bold
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316.
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Elizabeth McLuhan
Some New Light on an Early Medieval Missionary:
The Life of St. Amand by Bernard Gui
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317.
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Véronique Plesch
Words and Images in Late Medieval Drama and Art
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318.
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Nerida Newbigin
L'Occhio si Dice Ch'è la Prima Porta:
Seeing With Words in the Florentine Sacra Rappresentazione
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319.
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Pamela King
Losing Faith in Transformation:
Protestantism and Theatre
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320.
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Eckehard Simon
The Lord Embraces Synagoga:
A Unique Moment in Religious Drama and the Mary Portal of Strasbourg Cathedral
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