|
461.
|
Mediaevalia:
Volume >
35
Joshua Easterling
“Look to Your Calling”:
Reclusion and Resistance in Medieval Anchoritic Culture
|
|
|
|
|
462.
|
Mediaevalia:
Volume >
35
Francis J. Finan
Drama without Performance and Two Old English Anomalies
|
|
|
|
|
463.
|
Mediaevalia:
Volume >
35
Elena Lombardi
“A Gallehault was the book”:
Francesca da Rimini and the Manesse Minnesanger Manuscript
|
|
|
|
|
464.
|
Mediaevalia:
Volume >
35
Olga V. Trokhimenko
“The Treasure Above All Treasures”:
Red Mouths, Medieval Fetishes, and the Limits of Modern Interpretation
|
|
|
|
|
465.
|
Mediaevalia:
Volume >
35
Joel Salvatore Pastor
Sodomites are from Mars:
Deconstructing Rhetoric in the Commedia
|
|
|
|
|
466.
|
Mediaevalia:
Volume >
35
María Bullón-Fernández
Poverty, Property, and the Self in the Late Middle Ages:
The Case of Chaucer’s Griselda
|
|
|
|
|
467.
|
Mediaevalia:
Volume >
35
Bennett Gilbert
Johannes Fontana’s Drawing for a Castellus Umbrarum, Udine or Padua, c. 1415–20
|
|
|
|
|
468.
|
Mediaevalia:
Volume >
35
Sarah R. Kyle
Ancestral Memory and Petrarch’s De Remediis utriusque Fortunae in Carrara Padua
|
|
|
|
|
469.
|
Mediaevalia:
Volume >
36/37
Helene Scheck
Future Perfect:
Reading Temporalities at the Royal Women’s Monastery at Chelles, ca. 660–1050
|
|
|
|
|
470.
|
Mediaevalia:
Volume >
36/37
Marilynn R. Desmond
Medieval Futures:
The Center for Medieval and Renaissance Studies, Binghamton University, 1966–2016
|
|
|
|
|
471.
|
Mediaevalia:
Volume >
36/37
Elizabeth Casteen
Gilding the Lily:
John of Rupescissa’s Prophetic System and the Decline of the Angevins of Naples
|
|
|
|
|
472.
|
Mediaevalia:
Volume >
36/37
Barbara Abou-El-Haj
Producing the Route of St. James:
The Camino de Santiago in the Nineteenth and Twentieth Centuries
|
|
|
|
|
473.
|
Mediaevalia:
Volume >
36/37
Olivia Holmes
Virgil and Sordello’s Embrace in Dante’s Commedia:
Latin Poeta Meets Vernacular Dicitore
|
|
|
|
|
474.
|
Mediaevalia:
Volume >
36/37
Karen Elizabeth Gross
The Presence of the Past and the Shadows of Futurity:
Petrarch, Vernacular Art Criticism, and the Anticipation of the Connoisseur
|
|
|
|
|
475.
|
Mediaevalia:
Volume >
36/37
Deirdre Riley
Retraction and Re-Collection:
Chaucer’s Apocalyptic Self-Examination
|
|
|
|
|
476.
|
Mediaevalia:
Volume >
36/37
Charles Burroughs
Fluid City:
River Gods in Rome and Contested Topography
|
|
|
|
|
477.
|
Mediaevalia:
Volume >
36/37
Bridget Whearty
The Leper on the Road to Canterbury:
The Summoner, Digital Manuscripts, and Possible Futures
|
|
|
|
|
478.
|
Mediaevalia:
Volume >
36/37
Rhonda Knight
Writing Like a Fan:
Fan Fiction and Medievalism in Paul C. Doherty’s Canterbury Mysteries
|
|
|
|
|
479.
|
Mediaevalia:
Volume >
36/37
Marilynn R. Desmond
Transnational Feminism and Medieval Futures:
The Cartographic Imaginary in Christine de Pizan’s Chemin de long estude
|
|
|
|
|
480.
|
Mediaevalia:
Volume >
36/37
Jeanette Patterson
Solomon au feminin:
(Re)translating Proverbs 31 in Christine de Pizan’s Cité des dames
|
|
|
|
