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301.
|
Renascence:
Volume >
22 >
Issue: 1
Ruth M. Stauffer
Note on the Genesis of Hopkins' Sonnets of 1885
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302.
|
Renascence:
Volume >
22 >
Issue: 1
Joan T. Brittain, Leon V. Driskell
O'Connor and the Eternal Crossroads
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303.
|
Renascence:
Volume >
22 >
Issue: 2
Sister Lucy Schneider, C.S.J.
Gather's "Land-Philosophy" in Death Comes for the Archbishop
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304.
|
Renascence:
Volume >
22 >
Issue: 2
Harold A. Waters
Possible Sources for Claudel's Violaine
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305.
|
Renascence:
Volume >
22 >
Issue: 2
Helen T. Naughton
At Home with Madame Isabelle Rivière
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306.
|
Renascence:
Volume >
22 >
Issue: 2
Nathan A. Cervo
The Gargouille Anti-Hero:
Victim of Christian Satire
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307.
|
Renascence:
Volume >
22 >
Issue: 2
Francis J. Smith, S.J.
O'Connor's Religious Viewpoint in The Violent Bear It Away
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308.
|
Renascence:
Volume >
22 >
Issue: 2
John S. Williams
Sartre's Dialectic of History:
Les Séquestrés d'Altona
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309.
|
Renascence:
Volume >
22 >
Issue: 3
Donald E. Morse
Meaning of Time in Auden's For the Time Being
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310.
|
Renascence:
Volume >
22 >
Issue: 3
E. San Juan, Jr.
Form and Meaning in "Gerontion"
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311.
|
Renascence:
Volume >
22 >
Issue: 3
Joyce M. Holland
Human Relations in Eliot's Drama
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312.
|
Renascence:
Volume >
22 >
Issue: 3
William J. Farrell
The Waste Land as Rhetoric
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313.
|
Renascence:
Volume >
22 >
Issue: 3
Edward Brandabur
Eliot and the Myth of Mute Speech
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314.
|
Renascence:
Volume >
22 >
Issue: 4
Jan B. Gordon
Wilde and Newman:
The Confessional Mode
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315.
|
Renascence:
Volume >
22 >
Issue: 4
Giles B. Gunn
Creation and Discovery:
Vivas' Literary Theory
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316.
|
Renascence:
Volume >
22 >
Issue: 4
Yvonne Guers-Villate
A Few Notes Concerning Rambert in The Plague
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317.
|
Renascence:
Volume >
22 >
Issue: 4
Bernice Goldstein, Sanford Goldstein
Zen and Nine Stories
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318.
|
Renascence:
Volume >
22 >
Issue: 4
(Mrs.) Louise Mahru Potter
Man and Mediator in Repos du Septième Jour
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319.
|
Renascence:
Volume >
22 >
Issue: 4
Sister M. Carol Blitgen, BVM
Tennessee Williams:
Modern Idolator
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320.
|
Renascence:
Volume >
23 >
Issue: 1
Gerard H. Cox III
Graham Greene's Mystical Rose in Brighton
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