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Displaying: 381-400 of 1386 documents

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381. Renascence: Volume > 26 > Issue: 2
James York Glimm Thomas Merton's Last Poem: The Geography of Lograire
382. Renascence: Volume > 26 > Issue: 2
Peter L. McNamara Wallace Stevens' Autumnal Doctrine
383. Renascence: Volume > 26 > Issue: 3
Edward Ericson, Jr. Kierkegaard in Wilder's The Eighth Day
384. Renascence: Volume > 26 > Issue: 3
Michael Routh Greene's Parody of Farce and Comedy in The Comedians
385. Renascence: Volume > 26 > Issue: 3
Paul A. Parrish Writing as Celebration: the Epilogue of Invisible Man
386. Renascence: Volume > 26 > Issue: 3
Thomas LeClair The Eschatological Vision of Walker Percy
387. Renascence: Volume > 26 > Issue: 3
James M. Mellard Violence and Belief in Mauriac and O'Connor
388. Renascence: Volume > 26 > Issue: 4
J. J. Boies Existential Exchange in the Novels of Charles Williams
389. Renascence: Volume > 26 > Issue: 4
Preston Thomas Roberts, Jr. The Redemption of King Lear
390. Renascence: Volume > 26 > Issue: 4
Judson Boyce Allen The Education of the Public Man: A Medieval View
391. Renascence: Volume > 26 > Issue: 4
John Ower A Golden Labyrinth: Edith Sitwell and the Theme of Time
392. Renascence: Volume > 27 > Issue: 1
Dennis Taylor Some Strategies of Religious Autobiography
393. Renascence: Volume > 27 > Issue: 1
Lucienne Frappier-Mazur Balzac and the Sex of Genius
394. Renascence: Volume > 27 > Issue: 1
Bertrand F. Richards Meaning in Hopkins' "Carrion Comfort"
395. Renascence: Volume > 27 > Issue: 1
Frederick Busi The Images of Charles Péguy in Vichy France
396. Renascence: Volume > 27 > Issue: 1
Marie Cornelia Images and Allusion in Hopkins' "Carrion Comfort"
397. Renascence: Volume > 27 > Issue: 1
Kathryn E. Wildgen Dieu et Maman: Women in the Novels of Francois Mauriac
398. Renascence: Volume > 27 > Issue: 1
D. Heyward Brock, James M. Welsh Graham Greene and the Structure of Salvation
399. Renascence: Volume > 27 > Issue: 2
David Jago The Stoicism of Hilaire Belloc
400. Renascence: Volume > 27 > Issue: 2
Robert C. Holder Art and the Artist in the Fiction of Charles Williams