121.
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The American Journal of Semiotics:
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Frank J. Macke
Quintilian’s Instituto Oratoria and Postmodern Pedagogy
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122.
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The American Journal of Semiotics:
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Daniel Robichaud
Interaction as Text: A Semiotic Look at an Organizing Process
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123.
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Eugen Baer
Ecce Homo: How Semiotics Becomes What It is
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124.
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The American Journal of Semiotics:
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Roman Guadreault
Formalization: A Tool for Semiotics
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125.
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The American Journal of Semiotics:
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Leticia Iliana Underwood
Homage to Roman Jakobson - ArbolAdentro: "Entre lo que y veo digo ..." By Octavo paz
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126.
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Hong Wang
Cultural Shades of Grice's Cooperative Discourse Principle
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127.
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Mirian Zielinski
Painting: A Phenomenological Semiotics of Art and Visual Perception
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128.
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Jacqueline M. Layng
The Animated Woman: The Powerless Beauty of Disney Heroines from Snow White to Jasmine
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129.
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Sanja Garic-Komnenic
A Comparative Analysis of the Functions of Film and Theatre Languages
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130.
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Fernando Andacht
Those Powerful Materialized Dreams: Peirce on Icons and the Human Imagination
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131.
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Wililam S. Lewis
Harry Smith's Filmwork and the Possibility of a Universal Symbology
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132.
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Anna Makolkin
Flags and Flagomania: The Visual Necromantic Pandemia of the Twentieth Century
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133.
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Sanda Monica Tataram
Visual Computer Programming: Semiotic and Cognitive Aspects
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134.
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Barry King
On Semiotic Determinism and the Visual Sign
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135.
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Elliot Gaines
The Semiotics of Media Images from Independence Day and September 11, 2001
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136.
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W. Stephen Croddy
The Semiotic Anaysis of Analytic Cubism
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137.
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Elizabeth C. Hirschman
Legends in Our Own Time: How Motion Pictures and Television Shows Fulfill the Functions of Myth
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138.
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Eduardo Neiva
An Argument Against the Conventionalist Interpretation of Images
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139.
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Clarisse Zimra
Can the Empire Really Write Back:
Maximin’s Unbounded Narrative
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rights & permissions
This essay examines the ways in which Daniel Maximin, a Guadeloupean writer, tackles the work of history and memory that constitutes the ethical imperative of postcolonial writers in the African diaspora. From Proust to Joyce, Camus to Blanchot, Maximin “riffs” on the modernist canon to produce a truly hybrid hermeneutics. In three inter-connected works that share characters and circumstances and owe much to Eco’s concept of the “open work”, Maximin crafts one giant unbounded, untelelogical self-referential narrative that shall heal the diasporic obsession with the all too real fractures of colonial history.
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Sid Sondergard
Mapping the Lovecraft Idiolect:
Iterative Structures and Autosemiotization as Reading Strategies
abstract |
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rights & permissions
Towards reassessing and reconciling some of the conflicted readings of H. P. Lovecraft’s writings, Sondergard proposes that the author be read through the lens of his own idiolect rather than through interpretive systems constructed from referents external to Lovecraft’s often xenophobically self-referential perceptions. Modeling a semiotic system extrapolated from analysis of Lovecraft’s canon as well as of his life, the essay proceeds to employ it to reexamine “Herbert West—Reanimator,” a story that has been cited as evidence of the author’s racism.
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