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161.
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Chamara Jewel Kwakye
At What Cost?
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162.
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Palimpsest:
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Jasmine Syedullah
“Becoming More Ourselves”: Four Emergent Strategies of Black Feminist Congregational Abolition
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163.
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Tiffany Willoughby-Herard
M/othering Myself: Confessing Care Being
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164.
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SA Smythe
Can I Get a Witness? Black Feminism, Trans Embodiment, and Thriving Past the Fault Lines of Care
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165.
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Stephanie D. Hicks
Self-Care in Context: Notes from a Yoga Teacher in the University
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166.
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LaKisha Michelle Simmons
Memory, Loss, and Healing in Lucille Clifton’s Generations
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167.
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Judith Casselberry
Caring Practices of Black American Holy Women: Lessons and Cautions
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168.
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Contributors
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169.
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Tara T. Green, Charles I. Nero
Introduction:
Adaptations of Richard Wright’s Works
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170.
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Neal A. Lester
“This Is a Man’s World”:
Richard Wright Just Won’t Give a Sistah a Break in “Long Black Song
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171.
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Julia Wright
Richard Wright’s Huntresses:
A Transgenerational Experience
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172.
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Tara T. Green
Revisioning Richard Wright’s Bessie
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173.
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Sondra Bickham Washington
Uncle Tom’s Daughter:
Sarah versus the Enduring Misogyny of Wright’s “Long Black Song”
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174.
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Charles I. Nero
Redeeming Bigger Thomas:
Rashid Johnson and Suzan-Lori Parks’s “Woke” Native Son
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175.
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Florian Bousquet
Bigger and Bessie on Nambi E. Kelley’s Stage:
Adapting Native Son’s Genre and Gender for the Twenty-First Century
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176.
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DeLisa D. Hawkes
More Than a Black Rat Sonofab----:
Animality in Defining Americanness and the Human in Nambi E. Kelley’s Native Son
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177.
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Tasha Hawthorne
Playwright Nambi Kelley Finds the Love:
Adapting Richard Wright’s Native Son for the Stage
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178.
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Issue: 2
Margaret Goldman
Care and the Quiet Self:
Youth Sovereignty, Self-determination, and Other Things That Glow
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179.
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Annette K. Joseph-Gabriel
Editor’s Introduction
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180.
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Issue: 2
Sindiswa Busuku
After the Burning Years:
Freedom, Fugitivity, and Maneuvering through Cemeteries of Abandoned Futures
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