281.
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Tara T. Green, Charles I. Nero
Introduction:
Adaptations of Richard Wright’s Works
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282.
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Neal A. Lester
“This Is a Man’s World”:
Richard Wright Just Won’t Give a Sistah a Break in “Long Black Song
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283.
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Julia Wright
Richard Wright’s Huntresses:
A Transgenerational Experience
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284.
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Tara T. Green
Revisioning Richard Wright’s Bessie
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285.
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Sondra Bickham Washington
Uncle Tom’s Daughter:
Sarah versus the Enduring Misogyny of Wright’s “Long Black Song”
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286.
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Charles I. Nero
Redeeming Bigger Thomas:
Rashid Johnson and Suzan-Lori Parks’s “Woke” Native Son
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287.
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Florian Bousquet
Bigger and Bessie on Nambi E. Kelley’s Stage:
Adapting Native Son’s Genre and Gender for the Twenty-First Century
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288.
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DeLisa D. Hawkes
More Than a Black Rat Sonofab----:
Animality in Defining Americanness and the Human in Nambi E. Kelley’s Native Son
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289.
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Tasha Hawthorne
Playwright Nambi Kelley Finds the Love:
Adapting Richard Wright’s Native Son for the Stage
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290.
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Contributors
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291.
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Margaret Goldman
Care and the Quiet Self:
Youth Sovereignty, Self-determination, and Other Things That Glow
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292.
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Annette K. Joseph-Gabriel
Editor’s Introduction
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293.
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Sindiswa Busuku
After the Burning Years:
Freedom, Fugitivity, and Maneuvering through Cemeteries of Abandoned Futures
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294.
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Dana Murphy
“She Will Remember Everything”:
Black Diasporic Feminist Healing Roots in Cristina García’s Dreaming in Cuban
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295.
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Kellie Carter Jackson
Black Joy as a Remedy
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296.
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Grégory Pierrot
Write Their Names:
Percival Everett’s The Trees as Re[a]d Record
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297.
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Fania Noel
“Y’all Celebrating Black Men in Prison”:
Black Feminist Abolitionists and Intracommunal Violence
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298.
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Vanessa E. Thompson
Abolition as Worldmaking of the Damnés
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299.
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Maboula Soumahoro, Kaiama L. Glover
Author Meets Translator: Maboula Soumahoro and Kaiama L. Glover
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300.
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Évelyne Trouillot, Marjorie Attignol Salvodon
Author Meets Translator: Évelyne Trouillot and Marjorie Attignol Salvodon
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