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221.
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Film and Philosophy:
Volume >
4 >
Issue: Volume IV
Joseph Kupfer
Speech, Community, and Evil in Rob Roy
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222.
|
Film and Philosophy:
Volume >
4 >
Issue: Volume IV
Joseph Kupfer
Aristotle and Egoism in Ground Hog Day
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223.
|
Film and Philosophy:
Volume >
4 >
Issue: Volume IV
Allan Casebier
A Phenomenology of Television Experience
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224.
|
Film and Philosophy:
Volume >
4 >
Issue: Volume IV
Brian O'Leary
King Vidor's Communitarian Vision in Our Daily Bread
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225.
|
Film and Philosophy:
Volume >
4 >
Issue: Volume IV
Kevin W. Sweeney
Deluze on Beckett's Film
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226.
|
Film and Philosophy:
Volume >
4 >
Issue: Volume IV
Jack Simmons
The Ontology of Perception in Cinema
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227.
|
Film and Philosophy:
Volume >
4 >
Issue: Volume IV
Harvey Roy Greenberg
Machine Dreams
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228.
|
Film and Philosophy:
Volume >
4 >
Issue: Volume IV
David Goldblatt
Tourists with Typewriters:
Jew and Writer in Barton Fink
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229.
|
Film and Philosophy:
Volume >
5/6
Dan Flory
Editor's Introduction
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230.
|
Film and Philosophy:
Volume >
5/6
E. M. Dadlez
Quasi-Fearing Fictions
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231.
|
Film and Philosophy:
Volume >
5/6
Deborah Knight
Being Don Juan:
Identity, Metafiction, and the Conflict of Desires
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232.
|
Film and Philosophy:
Volume >
5/6
Bert Olivier
Reason and/or Imagination:
Peter Weir's Dead Poets Society
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233.
|
Film and Philosophy:
Volume >
5/6
Richard Gilmore
Oedipus Techs:
Time Travel as Redemption in The Terminator and 12 Monkeys
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234.
|
Film and Philosophy:
Volume >
5/6
Craig N. Bach
Nietzsche and The Big Sleep:
Style, Women, and Truth
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235.
|
Film and Philosophy:
Volume >
5/6
Joseph H. Kupfer
The Work of Love-At Work on Board The African Queen
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236.
|
Film and Philosophy:
Volume >
5/6
Richard Gilmore
Into the Toilet:
Some Classical Aesthetic Themes Raised by a Scene in Trainspotting
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237.
|
Film and Philosophy:
Volume >
5/6
Alan Goldman
Specificity, Popularity, and Engagement in the Moving Image
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238.
|
Film and Philosophy:
Volume >
5/6
Allan Casebier
Noël Carroll's Theorizing the Moving Image
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239.
|
Film and Philosophy:
Volume >
5/6
Noël Carroll
Defending Theorizing:
Responses to Casebier and Goldman
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240.
|
Film and Philosophy:
Volume >
5/6
Alan Goldman
Response to Carroll
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