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261.
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Film and Philosophy:
Volume >
8
Bert Olivier
The Logic of Noir and the Question of Radical Evil
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262.
|
Film and Philosophy:
Volume >
8
Cynthia Freeland
Empiricism and the Philosophy of Film
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263.
|
Film and Philosophy:
Volume >
8
Dan Shaw
Fatalism in John Huston's Fat City
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264.
|
Film and Philosophy:
Volume >
8
Deborah Knight
Philosophy of Film, or Philosophies of Film?
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265.
|
Film and Philosophy:
Volume >
8
Ian Jarvie
The Present State of the Philosophy of Film
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266.
|
Film and Philosophy:
Volume >
8
Thomas Wartenberg
Looking Backward:
Philosophy and Film Reconsidered
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267.
|
Film and Philosophy:
Volume >
19
Thomas Wartenberg
The Imposition Objection Reconsidered:
A Response to Richard Nunan
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268.
|
Film and Philosophy:
Volume >
19
William Pamerleau
Does the Philosophy of Film Disenfranchise the Art of Film?
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269.
|
Film and Philosophy:
Volume >
19
Sander Lee
Blue Jasmine, A Streetcar Named Desire, and the Power of Self-Deception
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270.
|
Film and Philosophy:
Volume >
19
Shawn Loht
The Relevance of Heidegger’s Conception of Philosophy to the Film-as-Philosophy Debate
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271.
|
Film and Philosophy:
Volume >
19
Lindsey Fiorelli
A New Defense of Cinematic Realism
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272.
|
Film and Philosophy:
Volume >
19
Dan Flory
Imaginative Resistance, Racialized Disgust, and 12 Years A Slave
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273.
|
Film and Philosophy:
Volume >
19
Laura T. Di Summa-Knoop
The Philosophical and Cognitive Achievement of Cult and the Ethical Puzzle of Casablanca
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274.
|
Film and Philosophy:
Volume >
19
Jeremy Delong
Star Trek: Into Darkness—Ethical Impartiality, Partiality, and the Need for a Male/Female Synthesis
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275.
|
Film and Philosophy:
Volume >
19
Bert Olivier
Battlestar Galactica, Technological Development and Eternal Recurrence
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276.
|
Film and Philosophy:
Volume >
19
Matthew Meyer
Mystic River and Nietzsche’s Revaluation
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277.
|
Film and Philosophy:
Volume >
19
Christopher Grau
Kantian Themes in The Elephant Man
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278.
|
Film and Philosophy:
Volume >
20
Frank Boardman
An Argument (Many) Films Make
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279.
|
Film and Philosophy:
Volume >
20
William Pamerleau
The Cost of Greatness:
A Nietzschean Analysis of Whiplash
|
|
|
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280.
|
Film and Philosophy:
Volume >
20
James Conlon
The Goodness Of The ‘Holy Fool’ In Talk To Her (Hable con ella)
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