This paper proposes that the major national/cultural states of consciousness in the world today are characterized by an addictive epistemology — the corruption of will into willfulness. The essence of addiction is seen to reside in the issue of control While World War II had a singularly "intoxicating" effect on the world's consciousness, the war in Vietnam was an occasion when this consciousness "hit bottom." The hitting bottom event is not a function of objective circumstances, but of consciousness; of the subjective interpretation and experience of phenomena. To resolve this addictive consciousness we need to learn, as individuals and en masse, to surrender control and accept responsibility. Because addiction, and its resolution, hinge on transformations of the experience of self, wefind that questions regarding the nature of selfhood and identity once considered philosophical recreations have become urgently pragmatic.

The concept of addiction is historically and culturally specific, becoming a common way of understanding experience first in early nineteenth-century America, This paper considers the relation to the concept of elements in current professional definitions of addiction (as dependence). Addiction concepts have become a commonplace in storytelling, offering a secular equivalent for possession as an explanation of how a good person can behave badly, and as an inner demon over which a hero can triumph.

This essay examines President Nixon's drug policy during the early 1970s, specifically the government's reaction to heroin use by American soldiers in Vietnam. The official response, discursively (through the employment of the drugs-as-a-disease metaphor) and on the policy level illustrated how of issues of national- and self-identity othering, and modernity intersected in the formulation and implementation of what is now termed the Drug War. Heroin using soldiers and domestic addicts, labeled as carriers of a contagious, foreign, and antimodem, dangerous disease, threatened to undermine a contingent national identity an identity weighted by capitalist modernity. Unearthing how addiction's ostensibly antimodern condition contributed to the othering of addicts as a foreign danger reveals how the United States' antidrug character and policies help maintain a national identity bound to the tenets of capitalist modernity. Methodologically, this essay combines historical analysis with literary and critical theory.

This essay examines the relationship between wording authorship, depression and addiction. Styron's own experience was of tumbling into acute depression, following the withdrawal of his habitual low-level alcohol habit. The paper examines the way in which such depressions may be described as emptinesses of being congruent with a philosophical (Sartrean) perspective: it compares them with the wild excesses and hyperactivities associated with alcoholism in Leaving Las Vegas and The Great Gatsby. The paper makes several theoretical association between alcoholic behavior and the act of writing itself.

This essay considers the meaning and relatedness of sobriety and drunkenness with reference to Levinas, Taoism, Sufism, the Bible, and the Beatles.

This article surveys the discursive turns of a conventional historical trope: the change in the valence of alcohol (and drugs) from happy to miserable. This change is commonly told as the story of a golden age of drinking and a fall into addiction (although there is a confused relationship in many of the stories between a condition called medical alcoholism and the social behavior of drunkenness). This fall is variously dated from the fifteenth to the late nineteenth centuries (both the conceptualization and the fact of alcoholism). Is this real historical change or only nominal change? Was alcoholism unknown in previous ages or has it always been around? Certain material factors (supply, absence of alternative drinks) may have impeded the visibility of alcoholism. The theory of nominal change is involved with factors like conspiratorial behavior, the conditions of scientific knowledge (i.e., the structure of investigation itself ), the baffles of categorization (heavy drinking was hidden within gluttony for most of history). Real change involves various facets of modernity and industrial capitalism: individualism and privacy, temperance, respectability, and rigid class formation, etcetera. But this shift is also a movement across class lines, from middle to lower-class drinkers.

Substantial evidence supports the perspective that the people of Ancient Greece had a language for and some use for drugs, both for the purpose of medicine and poison; however, the question remains whether Ancient Greek civilization held a concept approximating what we today call drug addiction. This article explores the textual evidence for the use of two drugs, nepenthes and cannabis, in Ancient Greece. While the existence of nepenthes remains in doubt, the use of cannabis is well documented. Either drug or both drugs may have been used in the rites of the Bacchic and Orphic mysteries, which might explain why there are so few references to these drugs in the Ancient Greek literature.

This article explores attempts by Jack Kerouac and Allen Ginsberg to transcribe their drug experiences onto the written page. Utilizing both Maurice Merleau-Ponty’s work on intersubjective communication and Gilles Deleuze and Felix Guattari’s conception of the “Body Without Organs,” it argues that by writing “through the body,” Kerouac and Ginsberg are able to transmit the physical and emotional effects of the drug experience to the reader via the medium of the text. The reader thus receives not just an objective account of the drug experience, but becomes privy to the alterations in temporal perception and intersubjective empathy that drug use inaugurates.

The body conceived of as a machinic assemblage becomes a body that is multiple. Its function or meaning no longer depends on an interior truth or identity, but on the particular assemblages it forms with other bodies. In this paper I draw on the work of Deleuze and Guattari to explore what happens to the drug using body when it is rethought as a machinic assemblage. Following an exploration of how the body of the drug user is put together and stratified as a subject, and a careful manoeuvre through the bleak conception of the ‘drugged body’ provided by Deleuze and Guattari, I begin to map out some ethical alternatives. I argue that a body should, ultimately, be valued for what it can do (rather than what is essentially ‘is’), and that assemblages should be assessed in relation to their enabling, or blocking, of a body’s potential to become other.

Among the many obscure sects of sexual fetishism, few remain as perplexing as that of the “crush freaks,” who are aroused by the sight of an insect exploded beneath a human foot. Moving beyond the glib discussions of those entomologists and sexologists who classify this fetish as a subset of foot worship and/or macrophilia, I propose an analysis of the crush freaks through the writings of French thinker Georges Bataille. Employing Bataille’s notions of sacrificial eroticism and mysticism to approach the religio-sexual dimensions of crush freakism, I argue that these practices are best understood as ambivalent manifestations of technophilia (sexual arousal associated with machinery). More specifically, crush freakism, I submit, devolves on a violent literalization of the analogies between insects and machines.

This paper aims to explore the complex manner in which Martin Amis defines the state of addiction–as the sustained collapse of objectivity and subjectivity for any inhabitant of a social system–as well as how the systemic patterns of life impose, imprint, and perpetuate themselves upon the individual.