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321.
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Philosophical Topics:
Volume >
24 >
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Barry Loewer
Freedom from Physics:
Quantum Mechanics and Free Will
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322.
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Philosophical Topics:
Volume >
24 >
Issue: 2
Randolph Clarke
Agent Causation and Event Causation in the Production of Free Action
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323.
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24 >
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Gary Watson
Two Faces of Responsibility
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324.
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Philosophical Topics:
Volume >
24 >
Issue: 2
Ted A. Warfield
Determinism and Moral Responsibility Are Incompatible
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325.
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Volume >
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Timothy O’Connor
Why Agent Causation?
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326.
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Philosophical Topics:
Volume >
24 >
Issue: 2
Robert Kane
Freedom, Responsibility, and Will-Setting
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327.
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Philosophical Topics:
Volume >
24 >
Issue: 2
Michael E. Bratman
Identification, Decision, and Treating as a Reason
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328.
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Philosophical Topics:
Volume >
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Issue: 2
John Martin Fischer
A New Compatibilism
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329.
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Philosophical Topics:
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24 >
Issue: 2
G. Lynn Stephens, George Graham
Psychopathology, Freedom, and the Experience of Externality
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330.
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Philosophical Topics:
Volume >
24 >
Issue: 2
Thomas J. McKay, David Johnson
A Reconsideration of an Argument against Compatibilism
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331.
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Philosophical Topics:
Volume >
24 >
Issue: 2
Eleonore Stump
Persons:
Identification and Freedom
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332.
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Philosophical Topics:
Volume >
24 >
Issue: 2
Alfred R. Mele
Soft Libertarianism and Frankfurt-Style Scenarios
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333.
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Philosophical Topics:
Volume >
25 >
Issue: 1
Patrick Maynard
Drawing Distinctions I:
The First Projects
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334.
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Philosophical Topics:
Volume >
25 >
Issue: 1
Carolyn Korsmeyer
Taste as Sense and as Sensibility
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335.
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Philosophical Topics:
Volume >
25 >
Issue: 1
Cynthia A. Freeland
Art and Moral Knowledge
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336.
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Philosophical Topics:
Volume >
25 >
Issue: 1
Josef Stern
Metaphors in Pictures
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337.
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Philosophical Topics:
Volume >
25 >
Issue: 1
Daniel Jacobson
In Praise of Immoral Art
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338.
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Philosophical Topics:
Volume >
25 >
Issue: 1
George M. Wilson
Le Grand Imagier Steps Out:
The Primitive Basis of Film Narration
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339.
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Philosophical Topics:
Volume >
25 >
Issue: 1
Paul Woodruff
The Paradox of Comedy
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340.
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Philosophical Topics:
Volume >
25 >
Issue: 1
Paul Guyer
From Jupiter’s Eagle to Warhol’s Boxes:
The Concept of Art from Kant to Danto
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