In the first chapter of his The World, Descartes compares light to words and discusses signs and ideas. This made scholars read into that passage our views of language as a representational medium and consider it Descartes’ model for representation in perception. I show, by contrast, that Descartes does not ascribe there any representational role to language; that to be a sign is for him to have a kind of causal role; and that he is concerned there only with the cause’s lack of resemblance to its effect, not with the representation’s lack of resemblance to what it represents. I support this interpretation by comparisons with other places in Descartes’ corpus and with earlier authors, Descartes’ likely sources. This interpretation may shed light both on Descartes’ understanding of the functioning of language and on the development of his theory of representation in perception.

In the Theodicy, Leibniz argues against two impious conceptions of God—a God who makes arbitrary choices and a God who doesn’t make choices at all. Many interpret Leibniz as navigating these dangers by positing a kind of non-Spinozistic necessitarianism. I examine passages from the Theodicy which reject not only blind (Spinozistic) necessitarianism but necessitarianism altogether. Leibniz thinks blind necessitarianism is dangerous due to the conception of God it entails and the implications for morality. Non-Spinozistic necessitarianism avoids many of these criticisms. Leibniz finds that even necessary actions should receive certain rewards and punishments as long as they necessarily lead to a change in future behavior. But Leibniz rejects even non-Spinozistic necessitarianism on the grounds that it is inconsistent with punitive justice. Whether Leibniz successfully avoids necessitarianism, it ought to be clear that he sees his own position as significantly distinct from necessitarianism and not just Spinozism.

Montaigne’s “Apology” is a lengthy work the overarching theme of which is the relationship between epistemology, virtue, and vice. It is a commentary on the thesis that science or knowledge “is the mother of all virtue and that all vice is produced by ignorance.” Montaigne’s response is radical and unequivocal: there is no idea more harmful; its consequences are no less than the destruction of inward contentment and the undermining of societal peace and stability. Indeed, Montaigne sees the Protestant Reformation as the instantiation of this terrible thesis, with all of the attendant trouble it had and continued to cause in France. So Montaigne inverts the thesis: ignorance begets virtue and (presumption of ) knowledge vice. Out of this inversion he draws many conservative social and political consequences, and this is one of the most interesting and yet underexplored aspects of the text. Montaigne exhibits the conservatism of the Counterreformation in the “Apology,” and I intend to draw more attention to this theme. I show that Montaigne’s main target in the “Apology” was not dogmatism as such, but Protestantism as a species of dogmatism. I then show that, by using a few elementary epistemic concepts, Montaigne launches a withering skeptical attack on the Reformation. Out of this criticism I draw some important conservative themes that have significant implications for our understanding of Montaigne’s social and political thought, as well as for conservative political theory and its intellectual history.

This paper studies the English poems of Richard Crashaw (1612-1649) from a historicist and formalist perspective. It specifically considers Crashaw’s poetry in its religious but also intellectual and early scien­tific context to investigate the frequently overlooked influence of science on his poetry. Metaphors drawn from alchemy and particularly from the trans­formation of matter to achieve its purification and spiritualisation enrich the poet’s expression of mystical devotion to underline that access to the spiritual as well as mystical union with Christ are deeply rooted in the devotee’s body. Representations of the earth as a chemical laboratory focus on materiality and corporality to emphasise the constant movement animating matter. A form of spiritual alchemy underscores Crashaw’s Christocentrism and references to the metamorphoses of matter consistently aim to express mystical union. A meta-poetic analysis eventually highlights a significant analogy between reading and alchemical processes in order to demonstrate the anagogical aim of Crashaw’s verse and the way his poems work on his reader’s heart to lift his soul. References to liquefaction, distillation or sublimation echo the published works of mystics but alchemical conceits based on symbolically evocative topoï and polysemic vocabulary reinforce the importance of the corporal in the expe­rience of mystical union.

This article argues that contrary to a received interpretation, Emanuel Swedenborg’s doctrine of correspondences (scientia correspondentiarum), according to which each empirical reality has a corresponding spiritual reality, is closer to Spinozistic monism than Neoplatonic idealism. According to the former, there is only one substance: God, which we can cognize through its spir­itual and material aspects. According to the latter, the material world consists of substances that receive their form through participation in the ideas of the spiri­tual world. The article will show that although some of Swedenborg’s claims can appear as expressing Neoplatonic idealism, his reading of the Bible as a guide for moral improvement, his rejection of the religious mysteries that cannot be rationally understood, his various examples of correspondences, his view that we can cognize God by studying the correspondences, and his definition of God as the only substance, make evident that he does not consider the spiritual realities ideas in the Neoplatonic sense. The article will interpret Swedenborg to think that the spiritual realities are learned concepts that enable us to describe and experience the world as having spiritual significance and thus acquire a fuller cognition of God.

The large extent to which aesthetic terms pervade Adam Smith’s discussion of ethics would seem to suggest, in the least, that the spheres of aesthetics and ethics are interwoven in a way hardly possible to conceive in the wake of Kant. Despite this recognized closeness between the two areas, one account in the literature has claimed that Smith’s understanding of beauty anticipates Kant’s modern notion of disinterested pleasure. It is claimed that according to Smith, disinterested pleasure is aroused by the harmony of our moral sentiments as well as by the beauty of “productions of art.” By analyzing the relation of beauty to utility in Smith’s aesthetics and ethics, I will be arguing against the attribution to Smith of a specifically disinterested pleasure in our judgments of the beauty of the productions of art, as well as in the beauty of moral objects, such as virtuous character and conduct.

The thorny issue of the created status of eternal verities, a hypothesis initially promulgated by Descartes in his 1630 correspondence with Mersenne, generated widespread debates across confessional lines in 17th century philosoph­ical and theological circles. At stake was not only the necessary or contingent status of these truths, and thus God’s relationship with creation, but also the very nature of the Deity. This was certainly the case for the Cambridge Platonists Henry More and Ralph Cudworth. Both were early advocates of Descartes’ philosophy, while still critical of some of its assumptions. The doctrine of the creation of eternal truths represents such an instance, and it was a highly sensitive topic for both. I shall propose a scholastic context in which to situate some of their ideas in order to shed some light on how this issue was addressed in More and Cudworth. The position where eternal truths are arbitrarily instantiated by the mere fiat of God is avoided by the Cambridge Platonists in two ways. First, the immutable, necessary, and eternal status of these ideas is safeguarded by the premise that they are intrinsic to the divine essence insofar as it is intellectual. We shall see that this raises a question concerning their precise ontological status. Second, the function of these ideas as the framework of the created order is guaranteed by the perfec­tion of the divine will. This will require a clarification of the causal relationships existing between eternal truths, God, and the realm of creation.

There is an important tension within Francis Bacon’s discussions of sense-perception. On the one hand, he sometimes seems to regard sense-percep­tion as a certain and unquestionable source of information about the world. On the other hand, he refers to errors, faults, desertions, and deceptions of the senses; indeed, he aims to offer a method which can remedy these errors. Thus, Bacon may appear conflicted about whether sense-perception provides reliable information about the world. But, I argue, this appearance of a conflict is itself illusory. Bacon offers us a coherent and compelling account of sense-perception that acknowledges not only its weaknesses but also its strengths. I explain his account by exploring its roots in the atomist and natural magic traditions, drawing special attention to the similarity between Bacon’s response to skepticism and earlier atomist responses to skepticism. One of the key features of the view is the analogy between sense organs and scientific instruments, both of which infallibly register information based on causal principles.

The book reviews of the early Philosophical Transactions have not been considered a dominant feature of the journal, and thus more research is needed to enrich our understanding of them. This paper begins this process by describing some of the basic features of the reviews, before moving on to address the issue of how they were composed. The specific focus here is on how Henry Oldenburg’s correspondence influenced the process in various ways. As it turns out, there are episodes when Oldenburg’s exchanges impacted the timing, length, content, form, and sometimes even the very existence of the book reviews. It thus seems that these reviews were rooted just as much in epistolary correspondence as other texts published in the Transactions.