This paper explores the 'delicate empiricism' proposed by Johann Wolfgang von Goethe. Goethe's scientific work provided an alternative epistemology to that of conventional science. The author discusses the Goethean way of knowing. Particular emphasis is given to the changed understanding of process, form and participation that results from employing the epistemology expressed by Goethe. A methodology for Goethean science is introduced and its applications and their implications are explored. Goethe's "zarte Empirie" — his delicate empiricism - legitimises and organizes the role of imagination, intuition and inspiration in science. It may contribute significantly to the emerging participatory and holistic worldview, and to providing knowledge that is in tune with nature. This paper explores how and why.

In this article, I argue that Goethe's way of science, understood as a phenomenology of nature, might be one valuable means for fostering a deeper sense of responsibility and care for the natural world. By providing a conceptual and lived means to allow the natural world to present itself in a way by which it might speak if it were able, Goethe's method offers one conceptual and applied means to bypass the reductive accounts of nature typically produced by standard scientific and humanist perspectives. I illustrate this possibility largely through examples from Goethe's Theory of Color (1810).

Johann Wolfgang von Goethe's approach to science is a radical departure from the Cartesian-Newtonian scientific framework and offers contemporary science a pathway toward the cultivation of an alternative approach to the study of the natural world. This paper argues that the Cartesian-Newtonian pathway is pathological because it has as its premise humanity's alienation from the natural world, which sets up a host of consequences that terminate in nihilism. As an alternative approach to science, Goethe's "delicate empiricism" begins with the premise that humanity is fundamentally at home in the world: a notion which forms the basis for a Goethean science that gives primacy to perception, offers a more organic and holistic conception of the universe, and has as its goal the cultivation of aesthetic appreciation and morally responsive obligation to the observed. As an antidote to nihilism and as the basis for a more fulfilling and morally responsive science, Goethean science may serve as a kind of cultural therapeutics, a project which is necessarily interdisciplinary since it requires the integration of multiple ways of seeing from the natural sciences, the human sciences, and the humanities.

Central to the paper below, is an emphasis on the spontaneously responsive nature of our living bodies, and on the special intertwined, dialogic, or chiasmic nature of events that can occur only in our meetings with others and otherness around us. As participants in such meetings, immediately responsive 'withness-understandings' become available to us that are quite different to the 'aboutness-understandings' we arrive at as disengaged, intellectual spectators. I argue that Goethe's "delicate empiricism", far from being an arcane form of understanding, is a deliberately extended version of this kind of withness-understanding — an anticipatory form of practical understanding that gives us a direct sense of how, in Wittgenstein's (1953) terms, to 'go on' with the others and othernesses around us in our daily lives.

Goethe belongs to the phenomenological tradition for a number of reasons: He shared Husserl's deep mistrust of the mathematization of the natural world and the ensuing loss of the qualitative dimension of human existence; he understood that the phenomenological observer must free him/herself from sedimented cultural prejudices, a process which Husserl called the epoche; he experienced and articulated the new and surprising fullness of the world as it reveals itself to the patient and participatory phenomenological observer. Goethe's phenomenological sensibilities and insights become more apparent when his work is brought into dialogue with Husserl's thinking. In turn Goethe challenges Husserlian phenomenology to a more careful investigation of the natural world and human participation within its order. Both Goethe and Husserl are searching for a science of the qualitative dimension of being.

This essay is a journey into the phenomenology of place and Goethe's science of nature by an Australian lecturer on the philosophies and practices of place-based education. It takes the form of a series of encounters with leading figures in the field— David Seamon, Henri Bortoft and Isis Brook, as well as an application of Goethean science to some granite outcroppings on the Cornish coast of England. The profundity of the phenomenological concepts of 'natural attitude' and 'lifeworld' is discussed together with ideas behind Goethe's participative and intuitive practices. Goethean science and phenomenology have enormous potential to deepen the experience, understanding and expression of place relationships, but they put challenging demands upon students and lecturers within the structure of a university subject.

In Representative Men, Ralph Waldo Emerson presented Goethe as the prototype of the writer elected by nature, and he identified Goethe's specific genius as "putting ever a thing for a word." But Goethe's talents as writer and poet have long seemed to scientific readers to undermine his efforts to be a scientist, and to talk of his, or any, poetics of science would involve a category mistake. But putting things to words—that is, filling and structuring what we say about the world with the content of experience—is what Goethe's investigations of nature aimed at. Considered as a philosophy of science, his method gives robust meaning and contemporary relevance to the term "poetics of science."

The essay examines passages from Henry David Thoreau's journal and Walden as illustrations of Goethe's phenomenological approach to nature, focusing on the influence on Thoreau of Goethe's discovery of metamorphosis as the generative principle of plants, and his proclamation that "first to last the plant is nothing but leaf." The essay shows how Goethe and Thoreau bring a poet's heightened awareness of language to their scientific observation of nature, and argues that their attention to figurative language, its limits as well as its possibilities, helps them and their readers to develop the needed flexibility to think along with rather than merely about nature.

Comparative biology is afield that deals with morphology. Johann Wolfgang von Goethe recognised comparative biology, not as a passive science obsessed with counting similarities as it is today, but as an active field wherein he sought to perceive the inter-relationships of individual organisms to the organic whole, which he termed the archetype. I submit that Goethe's archetype and his application of a technique termed the Anschauung are rigorous and significant ways to conduct delicate empiricism in comparative biology. The future of comparative biology lies in the use of the Anschauung to communicate the archetype as a set of inter-relationships of homologues that we perceive intuitively. In this essay I present how the extension of our own intuitive perception forms the foundations of a method for seeing and discovering the archetype in comparative biology.