In this essay, I offer thoughts on the constitution of images in art, especially as they are constituted in painting and in photography. Utilizing ideas from Gadamer, Derrida and Adorno, I shall argue that representation should be conceived as a performative concept and as an act of formation; i.e., as a process rather thanas something "fixed." My reflections will be carried out in connection with a careful analysis of Gerhard Richter's painting Reader (1994), which is a painting of a photograph that depicts a female who is reading. I demonstrate how a close analysis of this fascinating painting leads us deeper into the problem of painted images, insofar as it enacts what it is about, namely, the constitution of itself as an innige by means of a complex and enigmatic relationship between seeing, reading, memory, inner, outer, gaze and blindness.

I will argue that 'Continental Philosophy' is an Anglo-American invention. It is 'Pseudo-Continentalism,' no more than a highly selective rendering of Western European Philosophy. Borne out of opposition to the dominance of analytical philosophy in our universities, Pseudo-Continentalism in fact converges with analysis in remarkable ways. Both are advertised as revolutions in thought and both stand over against the tradition of speculative philosophy: both repeat eachother's historical shibboleths about traditional speculative philosophy in respect of the completeness of reason and of reality, the priority of identity and totality, the predetermined fixity of teleology. What this amounts to is a common rejection of a chimera, which in Pseudo-Continental Philosophy is usually called onto-theology or the metaphysics of presence and in the analytic tradition is sometimes called speculative philosophy. Here, indeed, the analytic tradition is moreradical: as I will show, it characteristically rejects any notion of a special kind of activity of actualisation as a feature of the real, whether this is understood as Being, mind, will, the élan vital. Difference, or the impotential. These are the vestiges of the tradition of speculative philosophy that are retained under the rubric of Continental Philosophy.

L'objectif de cet article est de montrer, contre toute attente peut-être, que le thème du nouveau est au centre du projet proustien d'une « recherche du temps perdu », autrement dit de sa conception de l'art comme une réminiscence. Compris dans un sens anti-platonicien, le nouveau correspond ultimement chez Proust à notre besoin d'être.

The phenomenological movement originates with Edmund Husserl, and two of his young students and collaborators, Edith Stein and Hedwig Conrad-Martius, made a notable contribution to the very delineation of the phenomenological method, which pushed phenomenology in a “realistic” direction. This essay seeks to examine the decisive influence that these two thinkers had on two specific areas: the value of the sciences and certain metaphysical questions. Concerningthe former, I maintain that Stein, departing from a philosophical, phenomenological analysis of the human being, is interested particularly in the formation of the cognitive value of the human sciences. Regarding the latter, Conrad-Martius, given her knowledge of biology, tackled the question of the role and meaning of the sciences of nature. The second question, related to metaphysical themes, became a specific and relevant object of research for both women phenomenologists.It will be investigated by comparing two works, one by each thinker, namely, the Metaphysische Gespräche by Conrad-Martius and Potenz und Akt by Edith Stein.

Is phenomenology nothing else than descriptive psychology? In the first edition of his Logical Investigations (LI), Husserl conceived of phenomenology as a description and analysis of the experiences of knowledge, unequivocally stating that “phenomenology is descriptive psychology.” Most interestingly, although the first edition of the LI was the reference par excellence in phenomenology for the Munich phenomenologists, they remained suspicious of this characterisationof phenomenology. The aim of this paper is to shed new light on the reception of descriptive psychology among Munich phenomenologists and, at the same time, to offer a re-evaluation of their understanding of realist phenomenology.

In Reinach’s works one finds a very rich ontology of states of affairs. Some of them are positive, some negative. Some of them obtain, some do not. But even the negative and non-obtaining states of affairs are absolutely independent of any mental activity. Despite this claim of the “ontological equality” of positive and negative states of affairs, there are, according to Reinach, massive epistemological differences in our cognitive access to them. Positive states of affairs can be directly “extracted” from our experience, while to acquire a negative belief we must pass through a quite complicated process, starting with certain positive beliefs. A possible and reasonable explanation of this discrepancy would be a theory to the effect that these epistemological differences have their basis in the ontology of the entities in question. Our knowledge of the negative states of affairs is essentially dependent on our knowledge of the positive ones precisely becausethe negative states of affairs are ontologically dependent on the positive ones. Such a theory has, in fact, been formulated by Roman Ingarden. According to him, negative states of affairs supervene on some positive ones and on certain mental acts of the conscious subjects.

A quick look into the index of Brentano’s Psychology from an Empirical Standpoint reveals that all references to “abstract terms” occur only in the appendix (taken from Brentano’s “Nachlass” essays). What should we make of this? Was it the case that the inquiry into abstract, as well as non-existent, objects came as an afterthought to Brentano? Or was he all too aware of the consequences of such investigations? Furthermore, was it largely the absence of such inquirythat prompted Husserl and his early students in Göttingen, such as Daubert and Reinach, to develop a deep ontological commitment to entities he refers to as “abstract” or “ideal”?

If community is determined primarily in consciousness as a mental state of oneness, can community exist when there is no accompanying mental state or collective intentionality that makes us realise that we are one community? Walther would respond affirmatively, arguing that there is a deep psychological structure of habit that allows us to continue to experience ourselves as a community. The habit of community works on all levels of our person, including our bodies, psyches and spirits (Geist). It allows us to continue to be in community even though we are not always conscious of it. Husserl would describe this as part of the passive synthesis of Vergemeinschaftung. Walther’s analysis of the passive structure of habit opens up important possibilities for the inner consciousness of time. Drawing from Husserl’s and Walther’s analyses, I argue for the possibility of a communal inner time consciousness, or an inner awareness of timeconsciousness of the community, which gives rise to three constitutive moments: communal retention or communal memory, a sense of the communal present or a communal “now,” and communal protentions or anticipations. Ultimately, I will show how Walther’s treatment of habit demonstrates that time conditions the lived experience of community. One can, therefore, speak of a time of the community—its past, present and future—even though Walther herself does not explicitly develop this possibility.