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101. Film and Philosophy: Volume > 10
"Figure 1, The continuum of empathic experiences" (insert at p.33)
102. Film and Philosophy: Volume > 10
Books Received From Members
103. Film and Philosophy: Volume > 10
"References" (insert at p.38)
104. Film and Philosophy: Volume > 12
Daniel Shaw Editor's Introduction
105. Film and Philosophy: Volume > 12
Bruce Russell Replies to Carroll and Wartenberg
106. Film and Philosophy: Volume > 12
Thomas E. Wartenberg What Else Films Can Do: A Response to Bruce Russell
107. Film and Philosophy: Volume > 12
J. Heath Atchley Smoke and the Practice of Philosophy
108. Film and Philosophy: Volume > 12
Bruce Russell Film's Limits: The Sequel
109. Film and Philosophy: Volume > 12
Noël Carroll Philosophy in the Moving Image: Response to Bruce Russell
110. Film and Philosophy: Volume > 12
Ben Convey Hostel: A Nightmare of the Hyperreal
111. Film and Philosophy: Volume > 12
Brian Laetz Two Problematic Theses in Carroll's Account of Horror
112. Film and Philosophy: Volume > 12
Sean McAleer Self-Knowledge, Self-Deception, and Retaliation: Lessons from The Limey and The Godfather
113. Film and Philosophy: Volume > 12
William Grundy Cinema as Sacrifice: Borat and the Culture Industry
114. Film and Philosophy: Volume > 12
Ramsey Eric Ramsey, Diane Gruber Do You Have a Light?: The Failures and Special Effects of Godard's Alphaville
115. Film and Philosophy: Volume > 12
Kayley Vernallis Tedium, Aesthetic Form, and Moral Insight in Silverlake Life
116. Film and Philosophy: Volume > 12
Robert Yanal Defining the Moving Image: A Response to Noël Carroll
117. Film and Philosophy: Volume > 13
Thomas E. Wartenberg Teaching Philosophy Through Film Aristotle's Theory of Friendship and The Third Man
118. Film and Philosophy: Volume > 13
David LaRocca The Limits of Instruction
119. Film and Philosophy: Volume > 13
Heather Battaly, Amy Coplan Is Dr. House Virtuous?: Using House to Teach the Moral and Intellectual Virtues
120. Film and Philosophy: Volume > 13
Daniel Shaw Editor's Introduction