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101. Social Imaginaries: Volume > 5 > Issue: 1
Dalius Jonkus Aesthetic A Priori and Embodied Imagination
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This paper discusses the modern idea of imagination and its various transformations in the phenomenological conceptual frameworks of Edward Casey, Mikel Dufrenne (1910-1995), Max Scheler (1874-1928) and Vasily Sesemann (1884-1963). I would like to raise and critically assess questions regarding the role of imagination in our consciousness: whether imagination is a productive or reproductive activity; and how, if at all, aesthetic expression limits the imagination. Casey criticizes Dufrenne for his attempt to unite imagination with aesthetic expression. He argues for the autonomy of the imagination but leaves the question of the relationship between the imagination and perception unanswered. Dufrenne partially shares his theory of imagination with Sesemann. Both philosophers claim that imagination is a reproductive activity rather than a productive one in the sense that it is limited by the forms of the material a priori. In other words, aesthetic expression has to obey the principle of correlation between percipiens and perceptum. Creativity becomes possible when the creator is able to reproduce in his expression another subject’s possible perceptivity. Max Scheler emphasized the correlative connection of spiritual activity with the world. He linked the concept of imagination to the practical being in the world. In Sesemann’s aesthetics the role of embodied imagination in artistic creation and the perception of aesthetic objects were also considered. Both authors argued that the connection between imagination and the essential modes of the world’s givenness is guaranteed by the mode of embodied imagination. Both acknowledged that imagination is related to unconscious desires and drive. Both authors stated that the schematisms of imagination express the style of the perception of the world. The fact that imagination is an embodied phenomenon is illustrated by the way it exists in the world, since imagination is essentially a free activity restricted only by “the style of the world’s horizon.”
102. Social Imaginaries: Volume > 5 > Issue: 1
Witold Płotka Twardowski, Ingarden, and Blaustein on Creative Imagination: A Study on Early Phenomenology
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The article is a critical elaboration of two phenomenological theories of imagination formulated by Ingarden and Blaustein in their discussion with Twardowski. Ingarden, as well as Blaustein were students of both Twardowski and Husserl, however, they defined imagination in two different contexts: whereas for Ingarden a proper way of analysis of imagination is ontology, for Blaustein imagination is the object of descriptive psychology, connected mainly with an aesthetic experience. As a result, the question of creativity of imagination is described in two different, but intertwined ways. For Ingarden, creative imagination is understood as a noematical structure which generates the imagined object as a purely intentional object. Ingarden’s description expresses the ontological status of the imagined object as ontologically dependent on the act of imagining, and on the content of the imagined object. In his review of Ingarden’s Das literarische Kunstwerk, Blaustein was clear that one has to revise Ingarden’s theory of purely intentional object by adopting it to imaginative intentionality and aesthetic experience. To elaborate Ingarden’s theory of imagination, Blaustein discusses it also with reference to Twardowski. Blaustein claims that Twardowski’s Cartesian differentiation between perceptive, reproductive, and creative imagination is based on a vague criterion, and moreover it does not refer to two key notions of descriptive psychology, i.e., the notion of the representative content, and the intentional object. As a result of his critique, Blaustein limits the concept of creative imagination to ‘fantasy’, understood as secondary imagination.
103. Social Imaginaries: Volume > 5 > Issue: 1
Michela Summa Is Make-Believe Only Reproduction?: Remarks on the Role of Fiction in Shaping Our Sense of Reality
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This paper develops an analysis of the relation between fiction and make-believe based on the achievements of imagination. The argument aims at a “reciprocal supplementation” between two approaches to fiction. According to one approach, pretense or make-believe structures play a crucial role in our experience of fiction. Discussing Husserl’s view on bound imagining and Walton’s account of fiction as make-believe, I show why pretense and make-believe cannot thereby be reduced to the mere reproduction of something we would experience as original. According to the other approach, which is presented in Ricoeur’s work on imagination, fiction exemplifies a productive or creative power of imagination that is not active in pretense or make-believe activities. The reciprocal supplementation between these two approaches concerns the following aspects: on the one hand, I wish show why Husserl and Walton allow us to rectify Ricoeur’s claim that make-believe is only reproductive. On the other hand, taking up some of Ricoeur’s insights, I wish to clarify why such an impact should be understood in terms of transformation.
104. Social Imaginaries: Volume > 5 > Issue: 1
Mario Wenning The Dignity of Utopian Imagination
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The utopian imagination is ambivalent in that it both escapes from, while also critically engaging with contemporary societies and forms of living. This paper calls to mind the dignity of utopian longing as well as common objections against political interpretations of utopia. Philosophical utopias, it is argued, make deliberative use of the imagination by sharpening a sense of possibility and providing reasons for (or against) utopian thought-images. On this account, utopias draw on irony and satire as constructive modes of imagining unrealized potentials and exposing what falls short of these potentials. Thus conceived, the utopian imagination is not the enemy, but an essential aid of practical reason.
105. Social Imaginaries: Volume > 5 > Issue: 1
Roger W. H. Savage Reason, Action, and the Creative Imagination
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The exemplary value of individual moral and political acts provides a unique vantage point for inquiring into the role of the creative imagination in social life. Drawing on Kant’s concept of productive imagination, I argue that an act’s exemplification of a fitting response to a moral or political problem or crisis is comparable to the way that a work of art expresses the ‘thought’ or ‘idea’ to which it gives voice. The exercise of practical reason, or phronesis, is akin to the way that a work augments the practical field of our experiences in this respect. For, like a work of art, the act produces the rule to be followed by means of the example that it sets. Accordingly, I explain how the injunction issuing from the act can be credited to the way that the singular case summons its rule. The singular character of the injunction issuing from the act thus brings to the fore the relation between reflective judgment and this injunction’s normative value. The conjunction of reason, action, and the creative power of imagination offers a critical point of access for interrogating the normative force of claims rooted in individual acts. By setting reason, action, and imagination in the same conceptual framework, I therefore highlight the creative imagination’s subversive role in countering hegemonic systems and habits of thought through promoting the causes of social and political struggles.
106. Social Imaginaries: Volume > 5 > Issue: 2
Paul Blokker, Saulius Geniusas, John Krummel, Jeremy C A Smith Editorial Introduction
107. Social Imaginaries: Volume > 5 > Issue: 2
Kristupas Sabolius Traversing Life and Thought: Gilbert Simondon’s Theory of Cyclic Imagination
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Simondon’s poorly examined theory of imagination reveals a number of interesting possibilities. On the one hand, by grounding the function of images within the idea of a cycle, it provides an attempt of reconciliation between the assumptions that privilege either reproduction or creativity. On the other hand, his view might also be conceived as a serious alternative to various theoretical stances that characterize the problem of imagination strictly within a dichotomy between individual subject and social imaginaries. The paper proposes a reading of Simondon’s lectures given between 1965 and 1966 in Sorbonne in the broader context of his philosophy and outlines the role of imagination that exceeds imagining subject as well as establishing the mode of correlation with associated milieu, which performs the conditioning of its potentiality. Rejecting the primacy of representation, Simondon’s take enables one to draw the conclusion that imagination can be attributed to all living beings and conceived as the function of life.
108. Social Imaginaries: Volume > 5 > Issue: 2
George Sarantoulias Mapping the theme of Creativity in Cornelius Castoriadis’s and Paul Ricoeur’s Social Imaginaries
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This paper elucidates the notion that action is creative through the social imaginaries perspective. Hans Joas’s critique of sociological theories on action developed in The Creativity of Action (1996 [1992]) argued that creativity is an essential concept to better understand social action. Cornelius Castoriadis and Paul Ricoeur employ an understanding of action as being inextricably connected to the social imaginary and capable of bringing forth historically novel forms of being and doing. An elucidation of Castoriadis’s dichotomy between the instituted and instituting imaginaries and Ricoeur’s distinction of the ideological and utopian poles of the cultural imagination bring to the surface points of convergence and divergence in their respective understandings of the social imaginary and historical novelty. Inspired by Joas’s critique of sociological theories of action through pragmatism, which is underlined by a critique of the philosophical anthropological assumptions held by structuralism, this essay argues that Castoriadis’s and Ricoeur’s distinct insights on the creative dimension of social action and the way in which social reality emerges can elucidate further an anti-structuralist philosophical anthropology that can help inform sociological theories of action.
109. Social Imaginaries: Volume > 5 > Issue: 2
David Chai Daoism and the Meontological Imagination
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Of the things needing to be forgotten if we are to partake in the oneness of Dao, language is perhaps the hardest. Since the purpose of words is to delimit things, words create an artificial division between things and their image qua form. While humanity views images as distinct entities, Dao leaves them in their jumbled collectivity; while humanity feels compelled to act upon our thoughts and feelings, Dao remains silent and empty. This leads to the following question: Will modelling ourselves after Dao result in a more creative form of thinking and if so, can it be carried-out without words and images? To demonstrate why the answer to this question is yes, we will first analyze why words are an obstacle to deeper thinking before looking at how images, despite their ability to connect with Dao, are nevertheless hindered by their dependency on being. It thus falls to spirit to lay bare the constant non-image of Dao, the core of the Daoist imagination and focus of the final section of this paper.
110. Social Imaginaries: Volume > 5 > Issue: 2
Farhad Khosrokhavar Western Imaginary of Jihadism
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Western jihadism is a complex phenomenon in which the imaginary dimension, the subjectivity of the actors linked to their socio-economic condition but also to their ethnicity, and beyond that, what I call their subjectivation (the ability to empower oneself as a social actor), play a significant role. In Europe, among the Muslim offshoots of migrant workers, most of the psychological developments associated with Jihadism occurs in very specific urban structures, the poor districts or suburbs, where a high concentration of urban poor live with a burden of social stigma linked to the high criminality rate. These settings are often de facto ghettoes. The development of a specific urban imagination often gives meaning to the jihadist commitment among young people living in this type of settlement. This imaginary often feeds on a feeling of stigmatization among these people. Jihadism is not a quest for meaning, but its discovery, the wielding of it through embracing death and inflicting it on the ‘infidels’. It is, in another way, a punishment of society, an act of vengeance against it, be it due to personal reasons (mainly for the young downtrodden of the immigrant origin who feel stigmatized by the society) or due to the lack of ideal, utopia and social justice in society (the case of the young middle class people). This study aims at underlining the fact that social imaginaries should be at the root of socio-anthropological analysis and without understanding the meaning of social action, quantitative views give us at best a unilateral, at most a distorted view of social action and social behavior.
111. Social Imaginaries: Volume > 5 > Issue: 2
Yulia Prozorova Religio-Political Nexus and Political Imaginary in Russia
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The essay contributes to the discussion of the religio-political nexus by examining the interplay between the religious and the political and the dynamics of political imaginary evoked by the Christianization and reception of Christian political theology in Russia. After a cursory overview of theoretical foundations underpinning the religio-political problematic, the essay introduces political theology as a constitutive element of the religio-political nexus and its most emphatic forms of theocracy and sacral rulership. Political theology sheds light on the gravitation between the religious and the political and the meta-institutional potential of the religio-political nexus. The essay focuses on the creative appropriation of religious themes by political imaginary contributing to the institution of autocracy in Russia. Christian monotheism and religious worldviews along with Byzantine political theology introduced theocratic vision and comprised the conceptual-symbolic framework within which autocratic configuration of power was articulated and legitimized. The increasing dependence of the church on the secular authority and reinterpreta­tion of the doctrine of symphonia resulted into the caesaropapism associated with absolute autocracy. ‘Monistic unity’, unification of all powers subjugated and embodied by a sacralised autocratic ruler evolved in Russia as a paradigmatic pattern with long-lasting effects.
112. Social Imaginaries: Volume > 5 > Issue: 2
Johann P. Arnason Theorizing the Present: Notes on Diagnoses of our Times
113. Schutzian Research: Volume > 10
Michael D. Barber Introduction to Schutzian Research 10
114. Schutzian Research: Volume > 10
Frédéric Guillaume Gass-Quintero Towards a Schützian Approach to Group-membership
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The aim of this paper is to show that we are entitled to see in Schütz’s article “Equality and the Social Meaning Structure” the proposal for a formal analysis of group membership understood as a kind of We-experience irreducible to pure We-relationships (Wirbeziehung). First I argue that such an account defines the experience of group membership as a “situation definition process”. Then I show the relevance of this approach for the description of membership experiences and current debates on Collective Intentionality. Finally, I point to its unclarified conceptual presuppositions—such as the at­tribution of situations to groups—, and propose an interpretative solution by drawing on the notions of “social situation” and community of relevances from The Structures of the Life-World.
115. Schutzian Research: Volume > 10
Luigi Muzzetto Schutz-Wittgenstein: On the Problem of the Natural Attitude
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The first part of this paper aims to highlight the analogies between Schutz’s vision of the natural attitude and Wittgenstein’s vision of a phenomenon that concerns the same problematic field, i.e. certainty, the belief of common sense that is free of all doubt, that the world “out there” is as it appears, absolutely real. These certainties form the basis, the foundation of language games and therefore of knowledge in general and in its entirety. This foundation is unfounded and yet indispensable. The second part of the paper examines an important topic analysed by Wittgenstein, related to the aforementioned problem: the language transposition of pre-predicative, pre-reflective and non-propositional certainties, the cornerstones of which are “hinge propositions”, whose hybrid nature can be identified in the shift from empirical propositions to grammatical rules.
116. Schutzian Research: Volume > 10
Barton Buechner, Sergej van Middendorp, Rik Spann Moral Injury on the Front Lines of Truth: Encounters with Liminal Experience and the Transformation of Meaning
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Today’s fast-moving, (new) media lifeworld embodies many of the metaphors of its analog predecessors – including those of warfare and conflict. The metaphor of warfare is used to describe everything from corporate marketing strategies to political campaigns, often with harmful consequences. In one way of exploring the front lines of the resulting war on truth, we describe some lessons learned from the experience of military veterans who have actually endured the liminality of combat, and who emerge with what is increasingly termed moral injuries. We use their experience as an analogy for competing (ante)narratives in cyberspace, where objective standards of truth and facticity are apparent casualties, and where fake news is emerging as victorious. We then apply models of social construction, specifically the practical theory of the Coordinated Management of Meaning (CMM), and the metaphor of jazz improvisation in the context of Schutz’s lifeworld phenomenology as possibly useful, helpful, and hopeful ways of acting into the complexity of truth together.
117. Schutzian Research: Volume > 10
Daniela Griselda López The Social Meaning of Prices: Contributions of Phenomenological Sociology
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There is no question that nowadays the phenomenon of prices is central to the media and political agenda and is the object of heated debates in the Argentine public arena. However, it is striking that these discussions forget to mention the social conditions in which market actors significantly set and shape prices. Debates focus on price increase and the spontaneous movements of the supply and demand curves supported by the neoclassical economic perspective, while the market agents that specifically cause such increase fade into the background and the subjective aspects of the phenomenon of price formation are underestimated as a mere manifestation of states of mind or individual preferences. This article argues that it is possible to criticize the neoclassical paradigm presuppositions based on the work of Alfred Schutz. His phenomenologically oriented sociology takes a critical stand facing the approaches that only consider the movements of the supply and demand curves in price formation, and that put aside the subjective values of the actors in the market. It is held that in line with the sociology of valuation, Schutz’s perspective resumes the inquiry around the intersubjective structures of meaning showing the importance of his thought to help us think about present-day problems.
118. Schutzian Research: Volume > 10
Dorianne Cotter-Lockard Schutz’s Mutual Tuning-in Relationship: Forming a “We-Presence” in Music Performance
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In his essay, “Making Music Together,” Schutz provided insight into the social interactions between all participants in the musical process, including composer, performers, and listeners. The key concept in Schutz’s essay is the “mutual tuning-in relationship,” which encompasses the relationship between I and Thou, to form a We Presence. Schutz examined the structure of the mutual tuning-in relationship, which he said, “originates in the possibility of living together simultaneously in specific dimensions of time” (Schutz 1964: 162). During the mutual tuning-in process, members of an ensemble merge into each other’s stream of consciousness. This paper is based on phenomenologically-influenced research conducted at the Cleveland Institute of Music in collaboration with the Cavani String Quartet. The members of the Cavani Quartet teach several specific rehearsal techniques to their students which enable formation of a We Presence. The paper summarizes Schutz’s structures of the mutual tuning-in process and provides illustrations from the research findings which deepen our understanding of the mutual tuning-in process.
119. Schutzian Research: Volume > 10
Michael Hanke Truth as Objectified Knowledge in In-Groups: Approaching Fake News within the Schutzian Framework
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This article reflects on the contemporary phenomenon of ‘fake news’ from a Schutzian perspective. Discerning the truth or falsity of an utterance – whether it is true, and therefore deemed ‘real’, or not and thus ‘fake’ –, calls for a framework for determining truth value. Thus, after a brief introduction, situating fake news within the history of strategic disinformation and propaganda, we analyze Schutz’s perspective on truth and rationality. Schutz’s concept of truth and rationality are centered around the paradigm of social constructivism, which situates the production of objects of thought in its sociocultural context and considers these objects socially derived or mediated. Reality, from this angle, is tied to group consensus, and, thus, can be considered objectified knowledge within the in-groups to which the members belong. This view of reality seems to follow, essentially, the logic of internet phenomena, such as filter bubbles and echo-chambers.
120. Schutzian Research: Volume > 10
Manuel Petrik Social Media in a Schutzian Perspective: Conflict and Controversies in Brazilian Readers’ Comments
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The article is a reflection about the controversies on social media. It analyzes a week of Folha de São Paulo’s posts, the largest Brazilian newspaper, on its Facebook page. The methodological basis adopted is the Grounded Theory (Glaser & Strauss, 2006). From the results, in a week of data collection, it seeks to theorize over coercive factors for the emergence of discursive struggles, with the aim of outlining a phenomenology of commentaries, based on Alfred Schutz, Thomas Luckmann and Peter Berger. Finally, it contrasts this situation of online conflicts with the Brazilian identity and the historical moment of the country.