This paper examines the participatory trend in cultural memory practices, focusing on the participatory artistic memory of communism in Romania and Bulgaria from a comparative perspective. On the one hand, these participatory artistic memory projects examine the ways in which ordinary people and contemporary artists share their memories of the communist past outside of the officially sanctioned interpretations, aiming to foster their own version of “monument” that does not necessarily follow the ossifying politics of monuments. On the other hand, a participatory memory culture does not always necessarily reflect the unequal cultural capital of the participating social actors and the dissimilar political commitments. This mnemonic practice ought not to be exclusively associated with the struggle between the narratives of the elites and the cultural expressions of those marginalized. Participatory memory practices might also facilitate cordial encounters among persons with dissimilar political commitments and unequal cultural capital.

The proclamation of liberal democracy as the absolute winner of the Cold War and the emergence of “prosecutorial” history after the fall of the Eastern Communist Bloc seemed to have established a certain path for researchers with regard to postwar dictatorships in Central and Eastern Europe. A closer look at the meaning of “revolution” as well as at new research efforts reveal strong connections between the East and the West during that time, that determined changes in the pattern and style of the scientific discourse analysing the post-war decades.

Following the rift with China, Albania found itself on a lonely road towards pretending to protect the purity of the Marxism-Leninism in Europe. Although diplomatic relations with the West were restricted only to trade, the Albanian Communist leader, Enver Hoxha, was interested in recent developments inside Western Communist parties. Through Eurocommunist theorizations, the parties in Italy, France and Spain abandoned revolutionary aims, incorporated democracy in their ideology and tried to build electoral coalitions with socialist parties and other left-wing forces. By contrast, the Albanian Enver Hoxha considered that Communist revolution was still possible in the world, and the Communist parties still acted as Leninist revolutionary vanguards. From this perspective, he denounced Eurocommunism as a continuation of “revisionism”. This paper will present the attitude of the Party of Labour of Albania about Western Communism by placing it in its historical context and framing it in light of broader debates inside the European Communist movement.

During Socialism, the “women’s issue” was among the key state policies in Albania. The emancipation issue followed a pattern similar to other socialist countries, called the “women’s emancipation model”. It was part both of the state rhetoric and the general need to include women in the “socialist transformative processes”. This involved policies that supported women’s participation in the productive labour force, as well as the introduction of new laws that promoted the equality between men and women.A reconfiguration of gender roles and the gender division of tasks occurred during socialism. In Albania, this process had two distinct phases. From 1944 onward women’s emancipation was thought of in terms of their participation as an additional force in the post-war reconstruction effort, even though sporadic and aligned with the primary political needs of the regime. The second phase occurred during the ‘60s following the Party’s directive “For the complete emancipation of women” (1967). This phase was considered strategic as it coincided with the efforts to industrialize the country and to eventually fully centralize the control over the territory.This paper aims to investigate the entanglements between gender propaganda and gender practices. For this purpose, we analyse various party speeches and policies as well as examples of “heroines” and propaganda movies. A thorough analysis of State Archives and other documents was undertaken to substantiate this investigation.

This article examines the making of Romanian diplomatic practices during the first two decades of the Cold War by analyzing the activity of the Romanian Institute for Cultural Relations with the Foreign Countries (IRRCS) in the field of architecture. I investigate how transnational cultural exchanges conducted jointly by party members and architects adjusted the professional careers of the latter. Questions related to what was good or bad, which images were still valid iconic representations of the country, what values the architects should share, or how to depict architecturally modernisation and the nation dominated the IRRCS debates. Using archival information consisting of reports of cultural activities abroad, foreign travelers’ statements, itineraries, exhibitions’ materials and photographic records etc., I address Romania’s self-representation practices at home and abroad constructed in relation to the Other – the Easterner and Westerner, in close connection to the shift in the country’s economic interests.

This article examines a case study of international Communist propaganda during the Cold War. The Institute of Historical and Socio-Political Research (ISISP), a historical propaganda organization affiliated to the Romanian Communist Party (RCP), succeeded in penetrating the Iron Curtain by distributing its works through a social network provided by the Italian Liberation Movement Institute, and in publishing its works in Italy, with the help of the Gramsci Institute, as well as publishers like Editori Riuniti and Nicola Teti. The ISISP established a mutually beneficial partnership with various Italian actors: ISISP and the regime succeeded in publishing international propaganda; the Italian publishing houses were paid by ISISP to print and distribute their edited volumes, with the double advantage of keeping political ties with the RCP while also protecting their own limited finances.

Les archives municipales de Berlin ont conservé tous les documents produits par la Maison berlinoise du travail culturel, Berliner Haus für Kulturarbeit, qui a été fondée en 1953 sous le nom de Berliner Volkskunstkabinett et dissoute en 1991. Ces archives permettent de suivre en filigrane les réflexions conduites en RDA sur le thème de l’action culturelle publique, dont les deux interrogations principales peuvent se résumer ainsi : comment peut-on encourager différentes formes de participation des travailleurs et ainsi favoriser le développement d’un art censé être authentiquement populaire et acquis à la cause de la révolution socialiste ? Et comment l’art peut-il être le vecteur d’une identification « nationale » avec l’État de RDA ?Nous proposons d’étudier ces archives sous l’angle du combat mené par le SED, le parti communiste au pouvoir en RDA, pour créer une société révolutionnaire, pour rendre possible l’utopie d’une société parfaitement égalitaire par le moyen de l’art. En effet, si les choix économiques, politiques, sociaux du SED sont bien connus aujourd’hui, les chercheurs se sont pour l’instant moins intéressés au langage du politique dans le domaine artistique, et notamment à la question centrale de savoir comment ce régime concevait son rôle et sa responsabilité à l’égard des pratiques artistiques des ouvriers.

The ministerial recruitment strategies in Communist Romania are a symmetric replica of the elite selection patterns in parliamentary democracies. Starting with the mid-60s, all the major traditional pathways to power formally mirror mechanisms of the elite selection and differentiation, which are commonly encountered in Western democracies. During the Communist regime, “atypical” credentials such as education (international degrees), academia, and the economic experiences also increased the likelihood of a promotion in public office. Starting from the notable differences between the Romanian elites and those in other Communist countries in the region, the paper argues that intertwined patterns of “Westernisation” and patrimonial-type credentials contributed to the consolidation of the Romanian Communist Party and hindered, in the aftermath of the regime change, the first attempts at elite renewal and democratisation.

During the Communist regime, after Poland was officially proclaimed the People’s Republic of Poland, the aim of the Polish Communist government was to control all aspects of society. Communist ideals were enforced in books and other publications; censorship was introduced on all published materials. This paper aims to present the situation of (print) media in People’s Poland, as well as to provide a background and description of Polish censorship. Additionally, this paper will exposit and examine the socio-political role of Tygodnik Powszechny (Universal Weekly) in Polish society. As TP is a Catholic weekly, an outline of the unique socio-political role of the Polish Roman Catholic Church in communist Poland will accompany the above analysis. This paper is based on the research conducted by the author in partial fulfillment of the requirements for the Master of Arts degree written and defended at the Central European University in Budapest in 2012.

This article explains the methodology behind our PhD thesis, that describes how five Southern European Communist parties2 reacted, through their party press, to the events that took place in Eastern Europe from 1989 to 1991, such as the Fall of the Berlin Wall in November 1989, the deposition of the Romanian dictator in December 1989 or the Soviet Coup d’etat in August 1991. We describe an interdisciplinary methodology which combines elements of history of the present, historiography of Communism and communication sciences. We will summarize our study, after explaining our methodology and adapting the framing party press for the purposes of this work. Finally, we’ll draw the conclusions after presenting one specific case: the interpretations provided by each party following the parliamentary elections of June 1989 in Poland.

Communist successor parties in Central and Eastern Europe have adapted to the new realities according to a popular model differentiating between pragmatic reform and leftist retreat. The Bulgarian Socialist Party, which succeeded the ruling Communists, seems to diverge from this model, neither fully transforming into a Western European social democratic formation nor remaining a Communist one while keeping elements of both. The reasons behind this ambivalent position are examined according to the party’s orientation toward its own past in its three dimensions: program messages, voters’ attitudes and commemoration of Communist legacy.

L’étude de la dénonciation n’est pas un sujet nouveau dans l’historiographie mondiale. Elle bénéficie de prémisses importantes, reparties très inégalement par époques historiques ou par régions géographiques. Il s’impose de constater, sans entrer dans les détails des préoccupations en la matière, l’importance qu’a connue la recherche de ce phénomène dans l’antiquité greco-latiné, dans la république vénitienne de l’époque pré-moderne et moderne ou dans la France révolutionnaire. La chute du Mur a considérablement apporté à l’ordre du jour cette direction d’études, dans le contexte de l’intérêt plus général pour l’histoire du monde communiste. En effet, comment comprendre le fonctionnement de ce monde sans prendre en compte son mécanisme complexe, entremêlant le bruit de la propagande et le silence du secret ?Nous souhaitons proposer une direction de recherche à partir de l’évaluation de l’historiographie la plus récente et de la méthodologie qu’elle suggère.

Edmund Husserl gave his famous London Lectures (in German) in June 1922 where he says his purpose is to explain “transcendental sociological [intersubjective] phenomenology having reference to a manifest multiplicity of conscious subjects communicating with one another”. This effective definitionof semiotic phenomenology as Communicology was reported in English (1923) by Charles K. Ogden and I. A. Richards in the first book on the topic titled The Meaning of Meaning. This groundwork was in full development by 1939 with the first detailed use of Husserl’s phenomenology to explicate human communication, i.e., the publication of Wilbur Marshal Urban’s Language and Reality. My paper addresses Urban’s use of Husserl’s philosophy toboth explicate the phenomenological method and to explore the constitutive elements of human communication and culture. Urban makes use of the workon language and culture by his famous colleagues at Yale University (USA): Edward Sapir (the linguist), Benjamin Lee Whorf (Sapir’s graduate student),and Ernst Cassirer. My own teacher at the University of New Mexico (USA) was Hubert Griggs Alexander, a doctoral student under Urban and a classmateof Whorf. The interdisciplinary focus on Culture and Communicology by Professors Cassirer, Sapir, Urban, and their doctoral students, Alexander and Whorf are collectively known as the “Yale School of Communicology.” Typical empirical examples of theoretical points are provided in the footnotes.

Wall Street and Main Street have become opposing icons in narratives of boom and bust that endeavor to account for the financial meltdown in fall 2008 and the Great Recession that followed. In many such narratives, Wall Street denizens are said to have brought on the economic collapse in which ordinary Main Streeters became collateral damage. Economic analysis and political advocacy are carried on in a metaphorics which implicates the fate of Main Street in the rituals of Wall Street. Metaphors can enlighten and mislead, and likely these do both. The present effort aims to go behind the metaphors in order to understand the worlds of Wall Street and Main Street mobilizing the conceptual resources of Schutzian phenomenology.

Aristotle’s account of virtue is criticized through John Russon’s existential phenomenology of the human being. For Russon, neurosis is a characteristic of human being, whereas Aristotle would say that neurotic tensions do not arise in genuinely good people. The essay argues that an Aristotelian attitude engenders a particularly destructive form of neurosis by not recognizing the inherently dynamic nature of human identity. The essay seeks to build a theory of virtue that resists the idea of human fulfillment as ending in a final state of well-being and contentment.

This hermeneutic phenomenological study of how remote workers in global corporations experience and interpret local place is based on Heidegger’sthinking about space, place, and dwelling, Giddens’ conception of globalization as “time-space distanciation,” and recent research and theory related to remote work and architecture. Study participants are knowledge workers in the United States and Europe who work full time from home as employees of large global corporations. The analysis reveals several insights about remote workers’ lived experience of place, including the importance of managing the threshold between work and home and the need to create spaces for interaction at work. Some remote workers learn to shape, choose, or create places that better suit them, while others prefer to remain in place. Some become more involved in their local communities, helping these communities become more globally-connected while retaining their unique local qualities. The analysis reveals five themes that suggest that place is both spatial and temporal. A place is a specific location within physical space that acquires personal meaning, arising from a person’s past history and evolving with ongoing or repeated experience. Individuals make meaning of place as Center (groundedness or rootedness), Setting (activity, convenience or purpose), and Source (generativity, inspiration or transcendence). We shape and respond to places; places shape us as our lives take place within them.