121.
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Volume >
16 >
Issue: 2
Leanne O’Sullivan
Filíocht Nua: New Poetry
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122.
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Volume >
16 >
Issue: 2
Mary Helen Thuente
Lady Morgan’s Beavoin O’Flaherty:
Ancient Irish Goddess and Enlightenment Cosmopolitan
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123.
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16 >
Issue: 2
Tara Harney-Mahajan
Provoking Forgiveness in Sebastian Barry’s The Secret Scripture
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124.
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16 >
Issue: 2
Joseph Lennon
“A Country of the Elsewheres”:
An Interview with Colum McCann
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125.
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16 >
Issue: 2
Francis M. Carroll
The Irish Free State and Public Diplomacy:
The First Official Visit of William T. Cosgraveto the United States
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126.
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16 >
Issue: 2
Shelly Brivic
The Third Policeman as Lacanian Deity:
O’Brien’s Critique of Language and Subjectivity
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127.
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Volume >
16 >
Issue: 2
Catherine E. Foley
Ethnochoreology as a Mediating Perspective in Irish Dance Studies
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128.
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Volume >
16 >
Issue: 2
Ruth Barton
The O’Kalem Collection on DVD:
Implications for Future Research
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129.
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Volume >
16 >
Issue: 2
Michael Patrick Gillespie
A Retrospective Arrangement:
The Evolution of a Tradition
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130.
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Volume >
16 >
Issue: 2
McKayla Sutton
Public Works: Infrastructure, Irish Modernism, and the Postcolonial, by Michael Rubenstein
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131.
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Volume >
16 >
Issue: 2
Clúdach: Cover
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132.
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Volume >
16 >
Issue: 2
Maria Doyle
“Buffoonery and Easy Sentiment”: Popular Irish Plays in the Decade Prior to the Opening of the Abbey Theatre, by Christopher Fitz-Simon
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133.
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Volume >
16 >
Issue: 3
Tom French
Sweet Diction, South and South
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134.
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Volume >
16 >
Issue: 3
Nótaí na nEagarthóirí: Editors’ Notes
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135.
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Volume >
16 >
Issue: 3
Gavin Foster
Res Publica na hÉireann?:
Republican Liberty and the Irish Civil War
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136.
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New Hibernia Review:
Volume >
16 >
Issue: 3
John Ennis
Filíocht Nua: New Poetry
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137.
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New Hibernia Review:
Volume >
16 >
Issue: 3
Lynn Ramert
Lessons from the Land:
Shaw’s John Bull’s Other Island
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138.
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New Hibernia Review:
Volume >
16 >
Issue: 3
Clúdach: Cover
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139.
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New Hibernia Review:
Volume >
16 >
Issue: 3
Stephen Watt
Irish Studies and the Corporate University
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140.
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New Hibernia Review:
Volume >
16 >
Issue: 3
Shane Alcobia-Murphy
“My Cleverly Dead and Vertical Audience”:
Medbh McGuckian’s “Difficult” Poetry
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