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121.
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Film and Philosophy:
Volume >
13
Dan Shaw
Teaching Philosophy Through Film:
Signs and the Problem of Evil
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122.
|
Film and Philosophy:
Volume >
22
Deborah Knight
Film Aesthetics and Appreciation
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123.
|
Film and Philosophy:
Volume >
22
Dan Flory
Reflections on What Movies Do Well
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124.
|
Film and Philosophy:
Volume >
22
David Sorfa
Belief in Film: A Defense of False Emotion and Brother Sun, Sister Moon
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125.
|
Film and Philosophy:
Volume >
22
Lawrence Benaquist, Sander Lee
Medium Specificity in Holocaust-Related Films:
A Dialogue
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126.
|
Film and Philosophy:
Volume >
22
Thomas Wartenberg
Dramatizing Philosophy
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127.
|
Film and Philosophy:
Volume >
22
Cynthia Freeland
The Creation of Mood in The Elephant Man
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128.
|
Film and Philosophy:
Volume >
22
Kevin Stoehr
Nietzsche and Haneke on Nihilism and Time
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129.
|
Film and Philosophy:
Volume >
22
Daniel Shaw
Cavell on Skepticism: Redeeming the Law
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130.
|
Film and Philosophy:
Volume >
4 >
Issue: On Horror
Daniel Shaw
Editor's Introduction
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131.
|
Film and Philosophy:
Volume >
4 >
Issue: On Horror
Daniel Shaw
Power, Horror and Ambivalence
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132.
|
Film and Philosophy:
Volume >
4 >
Issue: On Horror
Patrick Crogan
Things Analog and Digital
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133.
|
Film and Philosophy:
Volume >
4 >
Issue: On Horror
Anat Pick
Third Man, Fourth World:
The Fantastic Inscription of Orson Welles in Peter Jackson's Heavenly Creatures
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134.
|
Film and Philosophy:
Volume >
4 >
Issue: On Horror
Steven Schneider
Manifestations of the Literary Double in Modern Horror Cinema
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135.
|
Film and Philosophy:
Volume >
4 >
Issue: On Horror
Michael Levine
Depraved Spectators and Impossible Audiences
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136.
|
Film and Philosophy:
Volume >
4 >
Issue: On Horror
Cynthia Freeland
Explaining the Uncanny in The Double Life of Véronique
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137.
|
Film and Philosophy:
Volume >
4 >
Issue: On Horror
Richard Gilmore
Horror and Death at the Movies
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138.
|
Film and Philosophy:
Volume >
4 >
Issue: On Horror
James Wierzbicki
Wedding Bells for The Bride of Frankenstein:
Symbols and Signifiers in the Music for a Classic Horror Film
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139.
|
Film and Philosophy:
Volume >
4 >
Issue: On Horror
Kevin L. Stoehr
Kubrick and Ricoeur on Nihilistic Horror and the Symbolism of Evil
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140.
|
Film and Philosophy:
Volume >
4 >
Issue: On Horror
Sara Waller, Chris Meyers
Disenstoried Horror:
Art Horror Without Narrative
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