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141.
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Film and Philosophy:
Volume >
4 >
Issue: On Horror
Daniel Shaw
Power, Horror and Ambivalence
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142.
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Film and Philosophy:
Volume >
4 >
Issue: On Horror
Patrick Crogan
Things Analog and Digital
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143.
|
Film and Philosophy:
Volume >
4 >
Issue: On Horror
Anat Pick
Third Man, Fourth World:
The Fantastic Inscription of Orson Welles in Peter Jackson's Heavenly Creatures
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144.
|
Film and Philosophy:
Volume >
4 >
Issue: On Horror
Steven Schneider
Manifestations of the Literary Double in Modern Horror Cinema
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145.
|
Film and Philosophy:
Volume >
4 >
Issue: On Horror
Michael Levine
Depraved Spectators and Impossible Audiences
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146.
|
Film and Philosophy:
Volume >
4 >
Issue: On Horror
Cynthia Freeland
Explaining the Uncanny in The Double Life of Véronique
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147.
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Film and Philosophy:
Volume >
4 >
Issue: On Horror
Richard Gilmore
Horror and Death at the Movies
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148.
|
Film and Philosophy:
Volume >
4 >
Issue: On Horror
James Wierzbicki
Wedding Bells for The Bride of Frankenstein:
Symbols and Signifiers in the Music for a Classic Horror Film
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149.
|
Film and Philosophy:
Volume >
4 >
Issue: On Horror
Kevin L. Stoehr
Kubrick and Ricoeur on Nihilistic Horror and the Symbolism of Evil
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150.
|
Film and Philosophy:
Volume >
4 >
Issue: On Horror
Sara Waller, Chris Meyers
Disenstoried Horror:
Art Horror Without Narrative
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151.
|
Film and Philosophy:
Volume >
4 >
Issue: On Horror
Tarja Laine
Empathy, Sympathy and the Philosophy of Horror in The Shining
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152.
|
Film and Philosophy:
Volume >
11
Joseph Kupfer
Bang the Drum Slowly:
Mortality and Morality on a Baseball Team
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153.
|
Film and Philosophy:
Volume >
11
Dan Shaw
Editor's Introduction
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154.
|
Film and Philosophy:
Volume >
11
Henry Bacon
How Films Behave and Narrate
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155.
|
Film and Philosophy:
Volume >
11
Thorstein Botz-Bornstein
Tarkovsky and Benjamin:
Image, Allegory, and Einfühlung
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156.
|
Film and Philosophy:
Volume >
11
Aaron Smuts
The Joke is the Thing:
In The Company of Men and the Ethics of Humor
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157.
|
Film and Philosophy:
Volume >
11
William Pamerleau
Narrative Identity and Film Realism
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158.
|
Film and Philosophy:
Volume >
11
Dan Flory
Race, Empathy, and Noir In Deep Cover
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159.
|
Film and Philosophy:
Volume >
11
Richard Nunan
Brokeback Mountain and The Children's Hour:
A Postscript to Vito Russo's Challenge
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160.
|
Film and Philosophy:
Volume >
11
Avery Plaw
Film as Ethical Argument:
Evaluating Munich's Case Against Targeted Killing
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