141.
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Josef Petrželka
Josef Petrželka
Jak najít pravého prince?
How to Find the Right Prince
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This children’s play attempts to show the audience the long and troublesome journey that the Platonist has to take to reach the genuine knowledge and find the goal of human life. All of the epistemic options offered by Plato are so uncertain that the happy ending of the journey to the true being (Platonic Forms) can only be ensured by one thing – a fairy tale.
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142.
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Jana Matiščíková, Josef Krob, Josef Petrželka
Jana Matiščíková
Kladivo na časoděj
The Hammer of Time
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Time has disappeared. It must have been a murder. Who is guilty? The most important figures of the history of philosophy and science are summoned to sing and clearly express their relation to time. The philosophical musical does not end in bloody execution, though. It turns out that no murder was actually committed, as time has never, does not, and will never exist.
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143.
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Petr Kopáček
Petr Kopáček
Možný svět nutně nestačí aneb Hra pro Kočku
A Possible World Is Not Necessarily Enough or A Play for a Cat
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The hero of this play – Arthur – introduces to the audience and readers several different worlds that share the fact that they are all possible worlds. The theory of possible worlds is the major theoretical background of the play. The plot is based on the idea that one and the same individual can appear in several possible worlds in a more or less different form. If one finds a way of traveling among the worlds – at least fictionally on the stage – which is accomplished by the Cat, the Schrödinger´s Cat, Arthur can set off for a journey to meet himself or possibly even God.
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144.
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Lenka Hořínková Kouřilová
Pelikánova reflexe Hoppeova díla
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This article presents how Pelikan reflected Hoppe’s work in Ruch filosofický. Pelikan dealt with Hoppe’s philosophical development and simultaneously noticed philosophers that were inspiring for Hoppe’s philosophy. Pelikan appraised the significance of Hoppe’s work in Czech philosophical thinking of the first half of the twentieth century and his acccent of spiritual life. Pelikan agreed with Hoppe’s extension of the doctrine of intuition although his conception of intuition was different from Hoppe.
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145.
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Jan Zouhar
Existencialismus a české myšlení 1945–1948
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After 1945, Czech philosophy and culture were first introduced to existentialism. First it was the original works of French existentialists (Sartre, Camus, Marcel), later by means of the journal Letters (1947) and Václav Černý (The first book on existentialism, 1948). The acceptance of existentialism in Czech context was not univocal. Besides factual analyses (J. Patočka, V. Navrátil, V. T. Miškovská), existentialism met with criticism and rejection mainly from Marxists and Catholic scholars for its rational weakness, pessimism, helplessness and intellectual decline.
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146.
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Helena Zbudilová
Spásná trýzeň: Miguel de Unamuno a nesmrtelnost
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The study deals with the conception of personal immortality in Miguel de Unamuno’s works. The starting point of his reflections is a particular person of “flesh and blood“ and his authentic existence. Unamuno’s “hunger of immortality“ is inspired by man’s confrontation with the phenomenon of death. For Unamuno existential phenomena of suffering and anxiety seem to be the keyword to the authentic existence and God then becomes a guarantor of individual immortality. The study concentrates on Unamuno’s conception of God in the spirit of panentheism and Spanish Krausism. It observes Unamuno’s philosophical sources of information when discussing the question of immortality from Pythagoras to Platon while opposing the views of impersonal immortality (e.g. B. Spinoza). His theological argumentation is based mainly on S. Kierkegaard, St. Paul and Spanish mystics. His philosophical ideas are extracted especially from his works The Tragic Sense of Life, The Agony of Christianity and The Intimate Diary. His novella Saint Emmanuel The Good, Martyr serves as a fictional illustration of his ideas. The study concludes with the evaluation of Unamuno as an author writing “philosophizing literature“ and as a predecessor of existentialist literature, who was orientated towards Christian personalism.
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147.
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Jesús Padilla Gálvez
Euklidovský prostor a zorný prostor jako estetický problém
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The aim of this article is to reconstruct the contributions that Wittgenstein made to the field of aesthetics. The focus of interest lies on the theory of sensory perception. This theory is characterized as a program of “minimal visibilia” and will be analyzed by employing the phenomenological method. Three problems are addressed in the context of the visual space, such as blurredness, indistinctness and sensory impressions. A distinction between the visual space and the Euclidean space can only be made by comparing their respective typical structures. We will particularly analyze the relation that exists between the perceiving human being on the one hand and the visual space on the other hand. In order to get a deeper insight into this problem the visual space shall be compared to a two-dimensional picture. Moreover the role and function of the colours have to be clarified to establish a “minimum visibilia”.
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148.
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Vladan Hrdlička
F. A. Hayek a náboženství. Liberalismus na hranici mezi vědou a vírou
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The essay deals with the religious and moral elements in philosophy of F. A. Hayek, as well as his personal attitude to religion. The topics are discussed on the background of liberal ideology, the relationship of cognitive sciences to the determination of human action and approximation of critical rationality to dogmatic authoritarianism in its enforcement. Attention is also paid to the scientific concept of Hayek’s defense of liberal ideology.
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149.
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Miloš Dokulil
Sémantika a překlad (nejen Lockova „understanding“)
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Terms do not always cover the same meaning all the time. While translating into another language we have to take care of possible shifts in meaning in each of both languages. Some examples have been shown here from the new translation of Locke‘s Essay into Czech.
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150.
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Miloš Dokulil
Tomáš Garrigue Masaryk, Univerzitní přednášky I. Praktická filozofie, Spisy TGM 4, eds. J. Gabriel – M. Jelínek – H. Pavlincová – J. Zouhar
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151.
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Ivana Holzbachová
Jean-Paul Cointet, Hippolyte Taine: Un regard sur la France
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152.
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Jan Zouhar
Marcel Martinkovič (ed.), Idey a vývoj slovenského národotvorného myslenia
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153.
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Ivana Holzbachová
Maria Ossowska, Měšťanská morálka
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154.
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Ivana Holzbachová
Hayden White, Metahistorie: Historická imaginace v Evropě devatenáctého století
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155.
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Marek Hrubec
Petr Bláha, Zotročení svobodou: filosofický pokus o genealogii moderního otroctví
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156.
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Břetislav Horyna
Joseph Heath – Andrew Potter, Kup si svou revoltu! O mýtu kontrakultury aneb proč revolta proti konzumnímu kapitalismu není pro systém hrozbou, ale naopak hnací silou
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157.
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Jiří Gabriel
Karel Floss, Hledání duše zítřka
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158.
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Karel Říha
Rozvoj akce na individuálně-personální úrovni dva komentáře k l’action Maurice Blondela
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159.
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Ivana Holzbachová
Tainovo pojetí vědy
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Ačkoli je Taine znám především jako estetik a historik umění i politiky, zabývá se autorka spíš metodologickým předpokladem Tainova díla, a to jeho pojetím vědy. Ukazuje, že v Tainově díle nacházíme Hegelův vliv, který se však silně mísí s odlesky Comtových názorů, i když v oblasti ontologické lze spatřovat podobnost i s E. Machem. Taine chtěl aplikovat na duchovní vědy metody věd přírodních, i když si byl vědom zásadního rozdílu – nekvantifikovatelnosti v duchovních vědách. Podobnost spočívala ve snaze vysvětlit duchovní díla z jejich skutečných příčin. Ty Taine viděl především v oblasti psychologické. I ona je však pojata nikoli jako introspekce, ale jako věda, která má formulovat zákony a předvídat. Fakta hledá v literárních dokumentech. Zkoumání začíná od jednotlivých faktů, pokračuje přes zobecnění k jejich hlubšímu pochopení (vytváření zákonů) a pak se opět k jednotlivinám vrací a pomocí nalezených zákonů je vysvětluje. Konečné příčiny Taine nehledá. V rozboru aplikace tohoto obecného pojetí na dějiny umění a politickou historii se do popředí autorčina zájmu dostává známá Tainova teorie rasy, momentu a prostředí. Rozbor se věnuje především jeho pojetí rasy. Zabývá se i jeho pojetím vztahu mas a velkých osobností. V závěru připomíná reakce dobových i nynějších autorů na Taina.Although Taine is primarily known as an aesthetician and historian of art and politics, the author focuses on the methodology of Taine’s work, particularly on his conception of science. She shows one can trace Hegel’s influence in Taine’s work, which nevertheless mingles with reflections of Comte’s views, even though one can find similarities with E. Mach’s views in ontology. Taine attempted to apply the methodology of natural sciences to spiritual sciences, even though he was aware of a major difference – the unquantifiability in spiritual sciences. This involved an attempt to explain spiritual works on the basis of their real causes, which Taine mainly thought of as psychological. Psychology was not taken as introspection, though, but as a science the goal of which was to formulate laws and predict. Taine sought facts in literary documents. He began his investigation with particular facts, went on to generalize and state laws and then returned to the particular facts to explain them by the discovered laws. Taine did not seek final causes. In analyzing the application of this general approach to the history of art and politics, the author emphasizes Taine’s conception of race, moment and environment. She particularly focuses on the concept of race and also considers the relation of masses and great figures. In the conclusion the author adds the reactions of Taines contemporaries and current authors.
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Jindřich Veselý
Jan Patočka a křesťanství
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In many of his writings Jan Patočka dealt with christianity. This article presents his meditation as it developed since beginnings of his work till the famous texts he wrote in last period of his thinking. We interpret the whole philosophical move as the way from polemic to interpretation and from periphery to center. In his first writings Patočka mostly argues with theologians about mainly marginal themes, but soon he turns to the core of christianity and tries to interpret it according to his phenomenological philosophy. In his last works Patočka considers the strictly demythologized christianity as one of the most potent forms of care for the soul, which for him meant the tradition of european spiritual life. So the christianity, especially the idea of sacrifice, gets into the very center of Patočka’s thinking. Our article advises of the crucial, but probably also the weak point of Patočka’s approach: his reluctancy to ideas of personal god and revelation.
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