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161.
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Film and Philosophy:
Volume >
11
Chris Venner
Exploring the Nature of Evil in David Mamet's Homicide:
A Lacanian Interpretation
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162.
|
Film and Philosophy:
Volume >
11
Jeanette Bicknell
Orientalism as Aesthetic Failure:
The Sheltering Sky
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163.
|
Film and Philosophy:
Volume >
11
Carole Lyn Piechota
Once More and Innumerable Times More:
Nietzsche's Eternal Return in Eternal Sunshine of the Spotless Mind
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164.
|
Film and Philosophy:
Volume >
14
Sander Lee
Woody Allen Gets Away With Murder (Or Does He)?
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165.
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Film and Philosophy:
Volume >
14
William Pamerleau
Philosophizing About Woody Allen:
Do Author Intentions Matter?
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166.
|
Film and Philosophy:
Volume >
14
Dan Shaw
Editor's Introduction
|
|
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167.
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Film and Philosophy:
Volume >
14
Tadd Ruetenik
"How Am I Not Myself?":
Philosophical Despair In I [Heart] Huckabees
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168.
|
Film and Philosophy:
Volume >
14
Sander Lee
Response to Bill Pamerleau
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169.
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Film and Philosophy:
Volume >
14
Bart Engelen
Open Your Eyes?:
Why Nozick's Experience Machine Does Not Refute Hedonism
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170.
|
Film and Philosophy:
Volume >
14
Steven G. Smith
Hume, Kant, And Road Runner On Causation
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171.
|
Film and Philosophy:
Volume >
14
Joseph Kupfer
Sea Changes:
Failure to Care in The Squid and the Whale
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172.
|
Film and Philosophy:
Volume >
14
Amy Coplan
Comments on Thomas E. Wartenberg's Thinking on Screen:
Film as Philosophy
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173.
|
Film and Philosophy:
Volume >
14
Bruce Russell
Limits to Thinking on Screen
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174.
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Film and Philosophy:
Volume >
14
Murray Skees
A Synecdoche:
Eternal Sunshine of the Spotless Mind and Fredric Jameson's Theory of Postmodernism
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175.
|
Film and Philosophy:
Volume >
14
George M. Wilson
Some Comments On Thinking On Screen:
Film As Philosophy
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176.
|
Film and Philosophy:
Volume >
14
Thomas E. Wartenberg
Response to My Critics
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177.
|
Film and Philosophy:
Volume >
14
Richard Nunan
Filmosophy and the Art of Philosophical Analysis of Films
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178.
|
Film and Philosophy:
Volume >
15
Kevin W. Sweeney
Sideways: Does Good Taste Improve Moral Character?
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179.
|
Film and Philosophy:
Volume >
15
Dan Shaw
Editor's Introduction
|
|
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180.
|
Film and Philosophy:
Volume >
15
Wililam Hawk
I, Robot
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