|
161.
|
Film and Philosophy:
Volume >
14
Joseph Kupfer
Sea Changes:
Failure to Care in The Squid and the Whale
|
|
|
|
|
162.
|
Film and Philosophy:
Volume >
14
Amy Coplan
Comments on Thomas E. Wartenberg's Thinking on Screen:
Film as Philosophy
|
|
|
|
|
163.
|
Film and Philosophy:
Volume >
14
Bruce Russell
Limits to Thinking on Screen
|
|
|
|
|
164.
|
Film and Philosophy:
Volume >
14
Murray Skees
A Synecdoche:
Eternal Sunshine of the Spotless Mind and Fredric Jameson's Theory of Postmodernism
|
|
|
|
|
165.
|
Film and Philosophy:
Volume >
14
George M. Wilson
Some Comments On Thinking On Screen:
Film As Philosophy
|
|
|
|
|
166.
|
Film and Philosophy:
Volume >
14
Thomas E. Wartenberg
Response to My Critics
|
|
|
|
|
167.
|
Film and Philosophy:
Volume >
14
Richard Nunan
Filmosophy and the Art of Philosophical Analysis of Films
|
|
|
|
|
168.
|
Film and Philosophy:
Volume >
15
Kevin W. Sweeney
Sideways: Does Good Taste Improve Moral Character?
|
|
|
|
|
169.
|
Film and Philosophy:
Volume >
15
Dan Shaw
Editor's Introduction
|
|
|
|
|
170.
|
Film and Philosophy:
Volume >
15
Wililam Hawk
I, Robot
|
|
|
|
|
171.
|
Film and Philosophy:
Volume >
15
Leigh Rich, Jack Simmons
Heidegger and House:
The Twofold Task in Working Out the Question of American Medicine
|
|
|
|
|
172.
|
Film and Philosophy:
Volume >
15
Thomas Blakemore
Objects With a Soul:
The Spiritualization of Sound in the Films of Robert Bresson
|
|
|
|
|
173.
|
Film and Philosophy:
Volume >
15
Joseph Kupfer
From Despair to Care:
Self-Transformation in Monster's Ball
|
|
|
|
|
174.
|
Film and Philosophy:
Volume >
15
John McAteer
"Maybe Goodness is Just Make-Believe":
Optimism, Self-Deception and Rashomon
|
|
|
|
|
175.
|
Film and Philosophy:
Volume >
15
Kevin Stoehr
"By Cinematic Means Alone":
The Russell-Wartenberg-Carroll Debate
|
|
|
|
|
176.
|
Film and Philosophy:
Volume >
15
Manon Kolsteren
Dreaming of Becoming a Monster:
Stanley Cavell's Moral Perfectionism in Twlight
|
|
|
|
|
177.
|
Film and Philosophy:
Volume >
15
Todd Dufresne
On Film, Theory, & "Film as Philosophy":
Or, Philosophy Goes 'Pop'
|
|
|
|
|
178.
|
Film and Philosophy:
Volume >
15
Tarja Laine
Entangled Life:
The Double Life of Veronique
|
|
|
|
|
179.
|
Film and Philosophy:
Volume >
18
Richard Nunan
Film as Philosophy in Memento:
Reforming Wartenberg’s Imposition Objection
|
|
|
|
|
180.
|
Film and Philosophy:
Volume >
18
Emma Bell
Grief Time: Feeling Philosophy in Inception
|
|
|
|
Â