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181.
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Film and Philosophy:
Volume >
15
Leigh Rich, Jack Simmons
Heidegger and House:
The Twofold Task in Working Out the Question of American Medicine
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182.
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Film and Philosophy:
Volume >
15
Thomas Blakemore
Objects With a Soul:
The Spiritualization of Sound in the Films of Robert Bresson
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183.
|
Film and Philosophy:
Volume >
15
Joseph Kupfer
From Despair to Care:
Self-Transformation in Monster's Ball
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184.
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Film and Philosophy:
Volume >
15
John McAteer
"Maybe Goodness is Just Make-Believe":
Optimism, Self-Deception and Rashomon
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185.
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Film and Philosophy:
Volume >
15
Kevin Stoehr
"By Cinematic Means Alone":
The Russell-Wartenberg-Carroll Debate
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186.
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Film and Philosophy:
Volume >
15
Manon Kolsteren
Dreaming of Becoming a Monster:
Stanley Cavell's Moral Perfectionism in Twlight
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187.
|
Film and Philosophy:
Volume >
15
Todd Dufresne
On Film, Theory, & "Film as Philosophy":
Or, Philosophy Goes 'Pop'
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188.
|
Film and Philosophy:
Volume >
15
Tarja Laine
Entangled Life:
The Double Life of Veronique
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189.
|
Film and Philosophy:
Volume >
18
Dan Shaw
Editor’s Introduction
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190.
|
Film and Philosophy:
Volume >
18
Richard Nunan
Film as Philosophy in Memento:
Reforming Wartenberg’s Imposition Objection
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191.
|
Film and Philosophy:
Volume >
18
Emma Bell
Grief Time: Feeling Philosophy in Inception
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192.
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Film and Philosophy:
Volume >
18
Daniel Wack
How Movies Do Philosophy
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193.
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Film and Philosophy:
Volume >
18
Sander Lee
The Moral Implications of Gettysburg
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194.
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Film and Philosophy:
Volume >
18
Alain Beauclair
I Have Been And Always Shall Be Your Friend
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195.
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Film and Philosophy:
Volume >
18
Fabio Bacchini
Conflicting Moral Arguments in Pedro Almodóvar’s Hable con Ella
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196.
|
Film and Philosophy:
Volume >
18
Shawn Loht
Film as Ethical Philosophy, and the Question of Philosophical Arguments in Film:
A Reading of The Tree of Life
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197.
|
Film and Philosophy:
Volume >
18
C. Paul Sellors
What in the World Distinguishes Fiction from Nonficton Film?
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198.
|
Film and Philosophy:
Volume >
18
Joseph Kupfer
Wonder Boys: Righting Our Lives by Writing the Story
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199.
|
Film and Philosophy:
Volume >
18
Vernon Cisney
The Madness of God:
The Schizosign in Shutter Island
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200.
|
Film and Philosophy:
Volume >
21
Shai Biderman, Ido Lewit
TV’s Fargo and the Philosophy of the Coen Brothers
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