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21.
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Film and Philosophy:
Volume >
16
Gwendolyn Dolske
More Than a Windshield Wiper:
A Beauvoirian Analysis of Project and Other in Flash of Genius
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22.
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Film and Philosophy:
Volume >
16
William J. Devlin, Shai Biderman
Sartre’s Existential Analysis of Moral Dilemmas through Gone Baby Gone
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23.
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Film and Philosophy:
Volume >
16
Mario Slugan
Epistemology as Ethics: Skepticism in Blade Runner
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24.
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Film and Philosophy:
Volume >
16
John Marmysz
Rooting for the Fascists in James Cameron’s Avatar
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25.
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Film and Philosophy:
Volume >
16
Murray Smith
In and Out of Character
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26.
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Film and Philosophy:
Volume >
16
Dan Flory
Response to My Critics
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27.
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Film and Philosophy:
Volume >
16
Charles W. Mills
Blacker Than Noir
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28.
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Film and Philosophy:
Volume >
16
Tommy L. Lott
Film Noir, Realism, and the Ghettocentric Film
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29.
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Film and Philosophy:
Volume >
17
Dan Shaw
Editor’s Introduction
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30.
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Film and Philosophy:
Volume >
17
Jay R. Elliott
The Last Word on Pottersville
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31.
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Film and Philosophy:
Volume >
17
Richard Gilmore
The Existential Hitchcock
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32.
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Film and Philosophy:
Volume >
17
Jordan Schummer
Imagination and Film
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33.
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Film and Philosophy:
Volume >
17
Jay R. Elliott
The Meaning of Life and the “Pottersville Test”:
A Reply to Aaron Smuts
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34.
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Film and Philosophy:
Volume >
17
Aaron Smuts
Reply to Elliott: In Defense of the Good Cause Account
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35.
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Film and Philosophy:
Volume >
17
Ian Schnee
Ideology, Socratic elenchus, and Inglourious Basterds
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36.
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Film and Philosophy:
Volume >
17
Sam Shpall
The Men of Talk to Her
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37.
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Film and Philosophy:
Volume >
17
Richard Nunan
Gender Tourism in Feature Films: The Case of Transamerica
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38.
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Film and Philosophy:
Volume >
17
Shawn Loht
Film as Heideggerian Art?:
A Reassessment of Heidegger, Film, and His Connection to Terrence Malick
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39.
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Film and Philosophy:
Volume >
17
Thorsten Botz-Bornstein
“Film Thinks!” What about Dreams?:
A Reading of Daniel Frampton’s Filmosophy
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40.
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Film and Philosophy:
Volume >
17
Nathan Carson
Transformation in the Wasteland?:
Remembrance, Naming and Charitable Action in The Road
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