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Displaying: 21-40 of 340 documents

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21. Glimpse: Volume > 15
Polona Tratnik The Power of Media and Technology
22. Glimpse: Volume > 15
Yoni Van Den Eede Toward an Epistemology and Phenomenology of "Self-Tracking": Preliminary Steps
23. Glimpse: Volume > 15
Codruta Morari Perception as Style: The Cinema if Claire Denis
24. Glimpse: Volume > 15
Paul Majkut Crisis In Film Studies
25. Glimpse: Volume > 15
Satoru Hirose, Shoji Nagataki Mediated Minds
26. Glimpse: Volume > 15
Alberto José Luis Carrillo Canán, Victor Gerardo Rivas López, May Zindel Metaphor in Cinema Revisited
27. Glimpse: Volume > 15
Kurt Cline A Phenomenology of 3-D Cinema
28. Glimpse: Volume > 15
Patricia King Dávalos Human Activity and Situation: Freedom and Commitment
29. Glimpse: Volume > 15
Luanne Frank Vivifying Philosophy Via Visual Media: Heidegger's Parmenides
30. Glimpse: Volume > 15
Marc Van den Bossche Disclosing Worlds: Photography as a Contemporary Art
31. Glimpse: Volume > 16
Ilias Giannopoulos Challenging Husserl’s ‘musical’ paradigms: on the problem of perception of extended musical structures as temporal objects
32. Glimpse: Volume > 16
Stacey O. Irwin Frame-Screen-Window: Human-Media Relations
33. Glimpse: Volume > 16
Alberto J. L. Carrillo Canán, Luis R. Vera Chaparro, Matias Kritz Movement and Pictorial Space: The Video “Beauty”
34. Glimpse: Volume > 16
Kurt Cline The Message is the Medium: Houdini and the Unity of Concealment and Disclosure in Heidegger’s Parmenides
35. Glimpse: Volume > 16
Yoni Van Den Eede Media Use, Purpose, and Autopoiesis
36. Glimpse: Volume > 16
Alessandra Mondin Queering Heterosexuality Through (the) Skin
37. Glimpse: Volume > 16
Obiageli Pauline Ohiagu, Ntiense James Usua Film Portrayal and the Perception of Women in Nigeria
38. Glimpse: Volume > 16
Marc Van Den Bossche Photography and the Mirror of Nature
39. Glimpse: Volume > 16
Luanne Frank Kleist’s Phenomenological Nightmare: “St. Cecilia or the Power of Music” and its Holy Mary Images
40. Glimpse: Volume > 16
Andreas Max Ströhl Abolishing Politics for the Sake of Politics: Vilém Flusser between Dialectic and Phenomenology