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201.
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Film and Philosophy:
Volume >
21
Jonathan Kwan
Philosophy Through Ambiguity:
Readings of Blade Runner
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202.
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Film and Philosophy:
Volume >
21
Richard Nunan
Authorial Intent, Alien, and Thomas Wartenberg’s Alleged Necessary Condition for Films to Do Philosophy
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203.
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Film and Philosophy:
Volume >
21
Alessandro Giovannelli
The Finale of AI: Artificial Intelligence
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204.
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Film and Philosophy:
Volume >
21
Amresh Sinha
The Ideology of Inception
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205.
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Film and Philosophy:
Volume >
21
David H. Calhoun
Imagined Cosmologies:
Nature and the Unveiling of Nature in Malick’s The Tree of Life and Kubrick’s 2001: A Space Odyssey
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206.
|
Film and Philosophy:
Volume >
21
Enrico Terrone
Blessed Are the Forgetful:
Utilitarianism and Remarriage in Eternal Sunshine of the Spotless Mind
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207.
|
Film and Philosophy:
Volume >
21
Iskra Fileva
The Duties of an Artist
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208.
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Film and Philosophy:
Volume >
21
Joseph Kupfer
What Movies Teach Us About Teaching:
Excellence and Maleficence in The Classroom
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209.
|
Film and Philosophy:
Volume >
21
Dan Shaw
Editor’s Introduction
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210.
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Film and Philosophy:
Volume >
3
Mark Vorobej
Monstrous Equivocation
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211.
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Film and Philosophy:
Volume >
3
Daniel Shaw
Horror and the Problem of Personal Identity: Dead Ringers
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212.
|
Film and Philosophy:
Volume >
3
Joseph Kupfer
Fresh Phronesis
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213.
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Film and Philosophy:
Volume >
3
Cimberli Kearns
Facinating Knowledge
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214.
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Film and Philosophy:
Volume >
3
Richard Gilmore
John Ford's The Searchers as an Allegory of the Philosophical Search
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215.
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Film and Philosophy:
Volume >
3
Dan Flory
Hitchcock and Deductive Reasoning:
Moving Step by Step in Vertigo
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216.
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Film and Philosophy:
Volume >
3
David Brubaker
Documentary Images and Shared Encounters
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217.
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Film and Philosophy:
Volume >
3
John Arthos
Narrative Manipulation and Documentary Truth:
Putting the Move on Audiences Hoop Dreams
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218.
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Film and Philosophy:
Volume >
3
Harvey Roy Greenberg
Crumb: Whereof One Should Not Speak
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219.
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Film and Philosophy:
Volume >
3
Paul Belbutowski
Hara-Kiri and the Aftermath of Peace in 17th Century Japan
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220.
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Film and Philosophy:
Volume >
3
Erich D. Freiberger
Projecting the Real:
Torantore's Cinema Paradiso, Plato and Psychoanalysis
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