201.
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Film and Philosophy:
Volume >
3
Cimberli Kearns
Facinating Knowledge
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202.
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Film and Philosophy:
Volume >
3
Richard Gilmore
John Ford's The Searchers as an Allegory of the Philosophical Search
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203.
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Film and Philosophy:
Volume >
3
Dan Flory
Hitchcock and Deductive Reasoning:
Moving Step by Step in Vertigo
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204.
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Film and Philosophy:
Volume >
3
David Brubaker
Documentary Images and Shared Encounters
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205.
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Film and Philosophy:
Volume >
3
John Arthos
Narrative Manipulation and Documentary Truth:
Putting the Move on Audiences Hoop Dreams
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206.
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Film and Philosophy:
Volume >
3
Harvey Roy Greenberg
Crumb: Whereof One Should Not Speak
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207.
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Film and Philosophy:
Volume >
3
Paul Belbutowski
Hara-Kiri and the Aftermath of Peace in 17th Century Japan
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208.
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Film and Philosophy:
Volume >
3
Erich D. Freiberger
Projecting the Real:
Torantore's Cinema Paradiso, Plato and Psychoanalysis
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209.
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Film and Philosophy:
Volume >
3
Harvey Roy Greenberg
12 Monkeys: The Rags of Time
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210.
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Film and Philosophy:
Volume >
3
John A. Marmysz
From Night to Day: Nihilism and the Walking Dead
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211.
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Film and Philosophy:
Volume >
3
Sean Cridland
In the Twinkling of an Eye:
Nietzschean Undercurrents in Terry Gilliam's 12 Monkeys
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212.
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Film and Philosophy:
Volume >
3
Norman Fischer
Hans-Jürgen Syberberg's Opera Film, Parsifal:
Visual Transformation and Philosophical Reconstruction
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213.
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Film and Philosophy:
Volume >
3
Elizabeth Jones
The Failure of Imagination in Thelma and Louise:
The Crisis of Identity in the Pursuit of the Ideal
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214.
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Film and Philosophy:
Volume >
3
Valerie Gray Hardcastle
Changing Perspectives of Motherhood:
Images from the Aliens Trilogy
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215.
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Film and Philosophy:
Volume >
3
Leilani Nevarez Luce
". . . We Don't Live in that Kind of World, Thelma"
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216.
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Film and Philosophy:
Volume >
3
Richard Gull
The Crying Game and the Destabilization of Masculinity
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217.
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Film and Philosophy:
Volume >
4 >
Issue: Volume IV
Fred Seddon
Some Truths About Pulp Fiction
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218.
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Film and Philosophy:
Volume >
4 >
Issue: Volume IV
Raymond D. Boisvert, Jayne R. Boisvert
Bread, Companionship, and the Ethics of Attentive Response:
Marcel Pagnol's The Baker's Wife
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219.
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Film and Philosophy:
Volume >
4 >
Issue: Volume IV
Christopher D. Morris
The Lodger's Allegory of Seeing
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220.
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Film and Philosophy:
Volume >
4 >
Issue: Volume IV
Jeffery L. Geller, Richard Vela
Happiness Through Insanity:
The Function of Outrageousness in Screwball Comedy
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