This article argues for the importance of using Miki Kiyoshi’s anthropological humanism as a theoretical resource for confronting the unfolding ecological crisis. What makes Miki’s anthropological humanism valuable towards this end, in particular, is in the way he blends multiple theoretical discourses—particularly Nishida and Marx—which speak to the concerns espoused by Deep Ecology and Marxist approaches to environmental philosophy. Unlike other Kyoto School thinkers deployed in the service of building an environmental ethics in recent years, Miki’s philosophical work offers social-economic alternatives to the problem of capitalism within a non-dual framework that seeks to be non-dogmatic. This article will discuss how Miki’s anthropological humanism can enrich those conversations taking place within the “green” and “red” movements by providing them with insights by which to contest and overcome anthropocentric views of reality and the system of capitalism believed to be responsible for the environmental destruction we see today.

Broadly, I endorse the view that biodiverse species and spaces warrant conservation (partially) in virtue of their power to induce epistemic (Paul 2015; Sarkar 2011), relational, and positive, psycho-physiological transformation. However, if we are (in the not-so-distant future) able to construct cross-modally replete simulations of biodiverse environments, then what reason would we have to conserve genuine, biodiverse ecosystems? In order to address this “Simulation Problem,” I argue that the authenticity of biodiverse environments matters, both in itself and insofar as authenticity plays an important psychological, cultural, personal, and epistemic role in the lives of human agents.

The Earth System Governance Project is the largest scholarly body in the world devoted to articulating governance of the Earth’s systems. It recently published a “Harvesting Initiative” looking back on the first iteration of its Scientific Plan. This paper contributes to the decolonial and constructive critique of the theory of agency in that Initiative and argues that it displays “fragmentary coloniality” especially around problematic authority relations in governance. By turning to work on “worlding,” the paper argues for radicalizing questions of authority, leading us to focus not on agency but on moral relationships—work for a sequel to this paper.

Symbioculture involves nurturing the lives of those in one’s ecology, including the beings one eats. More specifically, it is a kinship-based conception of food and food systems rooted in Indigenous considerations of sustainability. Relations among food sources; cultivators, distributors, and eaters; and the land they share are sustainable when they function as extended kinship arrangements. Symbioculture hereby offers salient means to resist the ecocidal, agroindustrial food system that currently dominates transnationally in a manner that responds to the urgent need—both in terms of Indigenous justice and prudence for us all—to decolonize foodways and decommodify food, food-based knowledge, and food labor.

Plumwood’s late work articulates two intertwined “historic tasks”: re-situating “non-human life in ethical terms” and “human life in ecological terms.” Her well-known thesis of “weak panpsychism,” an explicit rival to moral extensionism, represents her primary approach to the first task. Her approach to the second task, however, is less conspicuous. My aim is to identify and develop this approach, which, I suggest, mobilizes the fraught idea of human edibility into a certain mimetic and critical mode of extensionism that I call trophic extensionism. Inverting moral extensionist logic, it extends not moral considerability to animals but literal edibility to humans. Plumwood’s trophic extensionism both revitalizes weak panpsychism—re-vealing an unexpected link between food and mind—and generates a bold new conception of food: no longer an ontological category, food becomes an ecological relation defined by epistemological vulnerability.

This article reconstructs Hegel’s account of nature’s autonomy and argues for its significance for his understanding of human autonomy and the relation between nature and spirit. It argues that Hegel treats the actualization of nature’s autonomy—epitomized by the phenomena of animal voice and birdsong—as a vital component of the actualization of free human spirit. Drawing on this analysis, the article then offers an ecological gloss on Hegel’s interest in the progressive actualization of freedom in the modern world. It concludes by sketching a Hegelian account of what it might mean to listen to nature’s voices.

The paper critically explores tensions inherent in speculative thinking in the context of climate change. It argues that speculative thinking is not a supererogatory luxury or idle pastime, but rather an essential necessity, especially in the context of climate change. Understanding this requires becoming more aware of operative tensions of speculative practice. In particular, the paper focusses on how climate discourses intersect and engage our variable affective economies through the affect of fear and proposes two practical virtues (“speculative courage” and “contemplative attending”) to be cultivated towards a responsible practice of speculative thought in this context.

The current crises put before us alternatives of action that require decision; for example, the decision of whether to deploy or investigate SRM geoengineering to counter global warming, which is here taken as the central example. Attending to the ontological richness of value in the elements of the world, of which scientific models and thought are a very particular and limited kind, can cast a different light into the decision process, which otherwise would almost unavoidably devolve into “infernal alternatives,” as Isabelle Stengers calls them: impossible choices between two evils.

This paper rethinks positive aesthetics as a group of aesthetic practices rather than a set of doctrines or judgments. The paper begins by setting out a general approach to aesthetic practices based on Pierre Hadot’s notion of philosophical “spiritual exercises.” Three practices of positive aesthetics are then described: focusing the beauty of each thing; envisioning the beauty of everything; and allowing the beauty of all things. The paper warns against possible dangers to which each practice may fall prey, dangers that divert the practice from its perception cultivating and enhancing potential. The paper ends by drawing out key implications of this way of considering positive aesthetics for our understanding of beauty, negativity and artificiality.

Many actors use the norm of climate justice to fight climate change and to struggle against global inequities internationally and domestically. Despite the enormous diversity of ways in which actors have deployed ideas of climate justice, many of the policies framed within this norm sustain oppressive, silencing, and/or assimilating tendencies. Hence, this paper looks at the biases that were introduced from ideas of “sustainable development” into the discourse of climate justice. Through the cases of India and Oceania, the paper illustrates the ways in which colonial legacies of single-axis thinking and development emphasize a particular struggle at the expense of other experiences and ways of life.

In A Climate of History Dipesh Chakrabarty locates Kant’s speculative reading of Genesis as “the Enduring Fable” furnishing the background for human domination and earthly destruction. Writing from the fable’s “ruins,” Chakrabarty urges the elaboration of new fables that provide the background ethics and meanings required to recast relations between humans and the natural world. Responding to Chakrabarty’s challenge, we outline two “fables” based first in the oft ignored Genesis 2, and second, in Matauranga Māori. Although marginalised, these extant fables provide the imaginary for radically other ways of being human in a more-than-human world in turmoil.

This essay interprets Dipesh Chakrabarty’s The Climate of History in a Planetary Age in light of the European tradition of thought about the sublime. The first half of the essay stages Chakrabarty’s historiography within that tradition focusing on a critical understanding of Kant. Then, the essay considers how the trace of the sublime in Chakrabarty’s approach to planetary history is interpretable as a form of social alienation. That argument draws on the critical theory of Steven Vogel and decolonial critique. Finally, the essay considers the moods of protest as non-alienated responses to the planetary bypassing the coloniality of the sublime.

This commentary on Dipesh Chakrabarty’s Climate of History initially frames the work in the context of the ongoing transdisciplinary project of creating synergies or more precisely “consilience” between the sciences and humanities. When this project is engaged in on the premises of the humanities (and the social sciences), we end up with the Earth system and the planetary as the basic lifeblood of human society—what foregrounds existence in common. That this realization is already bringing forth new justificatory principles for governance in a planetary age is then related through a history of ecological justice concerns.

The paper starts from the wonderment-reverence distinction introduced by Dipesh Chakrabarty in his book The Climate of History in a Planetary Age. While Chakrabarty’s concept of the planetary as the framework for the Anthropocene is accepted, his skepticism about the political relevance of wonder(ment) in the Anthropocene is challenged. Pace Chakrabarty, the link between wonder(ment) and curiosity is severed, and wonder is instead defined through the connections to the faculties of listening and reflective judgment. As such, wonder can be relevant to politics in the Anthropocene when engaging with the planetary

Building off Manulani Aluli-Meyer’s theory of holographic epistemology, this article explores how our understanding of intergenerational justice shifts when informed by relational interspecies ethics and nonlinear temporalities. Both intergenerational and interspecies ethics are greatly enriched if the dead, the living, and those yet-to-be are not (only) distinct generations of beings along a linear sequence but coexistent facets of every being. The second focal point of this article concerns what holographic epistemology reveals about Dipesh Chakrabarty’s notion of the planetary. Ultimately, the article argues that holographic intergenerational ethics highlight the need for a third earthly domain beyond the planet and the globe.

This essay shows how a new materialist theory of the Earth side-steps the distinction between the global and the planetary that structures Chakrabarty’s historiography. It advocates for a non-binary-generating approach to our planetary situation grounded in the philosophy of motion.

Davi Kopenawa and Bruce Albert’s 2010 collaborative work, The Falling Sky: Words of a Yanomami Shaman, centers on a prophetic warning of impending apocalyptic collapse due to anthropogenic environmental destruction. An indigenous contribution to the contemporary burst of eco-apocalyptic writing and the search for a new ecological social order, The Falling Sky challenges the temporal vector of Euroamerican eco-apocalypticism. Instead of the teleological axis of anthropocentric temporality (the emergence of homo sapiens as the pinnacle of evolution), it refers us to a temporality of terrestrial life, where homo sapiens is just one more living species in the web of life.

This essay reflects on my academic work and personal experience as a bonsai enthusiast. Specifically, I plan to point out how Deleuzian theory informs my bonsai practice. First, I situate bonsai gardening as an encounter with the vegetal world. Then I consider this encounter as a form of Deleuzian becoming. Becoming reifies a transformation of the two species to become another version of itself—one that occurs between a bonsai and its carer. As a bonsai carer myself, I find becoming as a precise illustration of my relationship with bonsais; hence, a vegetal encounter in the making.