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41.
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Palimpsest:
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2 >
Issue: 2
Sharon P. Holland
Holler If You Can Hear Me
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42.
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Volume >
2 >
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C. Riley Snorton
Referential Sights and Slights
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43.
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2 >
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Jayna Brown
Hip Hop, Pleasure, and its Fulfillment
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44.
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Palimpsest:
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2 >
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Tavia Nyong’o
Queer Hip Hop and its Dark Precursors
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45.
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Palimpsest:
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Moya Bailey
Homolatent Masculinity & Hip Hop Culture
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46.
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Palimpsest:
Volume >
3 >
Issue: 1
Nahum Dimitri Chandler
The African Diaspora
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47.
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Palimpsest:
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Jennifer M. Wilks
The French and Swiss Diaries of Mary Church Terrell, 1888–89:
Introduction and Annotated Translation
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48.
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Palimpsest:
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Issue: 1
Andrea Elizabeth Shaw
“The Gaze of the Natives”:
Visualizing Reggae Music as CD Artwork
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49.
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Palimpsest:
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3 >
Issue: 1
Timi Soleye
Nothing under the Sun
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50.
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Palimpsest:
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Fred Moten
Notes on Passage (The New International of Sovereign Feelings)
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51.
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Palimpsest:
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3 >
Issue: 1
T. Denean Sharpley-Whiting, Tiffany Ruby Patterson-Myers
Editors’ Introduction
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52.
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Palimpsest:
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Issue: 2
Karen Flynn
“You need to Press On”:
Lillie Johnson as a Pragmatic Public Intellectual
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53.
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Palimpsest:
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Issue: 2
Felix Germain
Guest Editor’s Introduction:
Caribbean Women Reconfigure National Identities
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54.
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Palimpsest:
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Issue: 2
Florencia V. Cornet
É Kurasoleña Nobo:
Expressions of the Curaçaoan Woman in the Paintings of Jean Girigori, Minerva Lauffer, and Viviana Cornet
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55.
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Palimpsest:
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Consuelo Martínez-Reyes
A Puerto Rican Cinema Produced by a Foreign Lens:
Female Roles in Maruja and El otro camino
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56.
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Palimpsest:
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Lia T. Bascomb
Rude Girl, Big Woman:
Power and Play in Representations of Caribbean Women
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57.
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Palimpsest:
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Issue: 2
Nadège T. Clitandre
Mapping the Echo Chamber:
Edwidge Danticat and the Thematic Trilogy of Birth, Separation, and Death
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58.
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Palimpsest:
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3 >
Issue: 2
Editor’s Introduction
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59.
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Palimpsest:
Volume >
4 >
Issue: 1
Shanna Greene Benjamin
Pedagogy of the Post-Racial:
The Texts, Textiles, and Teachings of African American Women
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60.
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Palimpsest:
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4 >
Issue: 1
Folashade Alao
“Will You Come and Follow Me?”:
Walking Literacy and Paule Marshall’s Praisesong for the Widow
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