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61.
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Mediaevalia:
Volume >
25 >
Issue: 2
Francis Gingras
Le Miel et l'Amertume:
Partonopeus de Blois et l'Art du Roman
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This paper focuses on the prologue of the Old French Partonopeus de Blois. The author analyses the narrator's style of writing and argues that he puts the receivers at the very centre of the experience, relying on them to analyse the material with his subtle help. The author argues that it is therefore not the intrinsic nature — good or bad — of the story which is important, but what the receivers may gain from it. Via a series of reworkings, the creator of Partonopeus orients the reception of the story and establishes his narrative style by an innovative use of literary tradition.
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62.
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Mediaevalia:
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25 >
Issue: 2
Olivier Collet
"Armes Et Amour" Ou "Amour Sans Armes?":
Un Aspect Négligé de la Circulation et de la Reception du Roman de Partonopeu de Blois au XIIIème Siècle
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This paper analyses the differing receptions of the Old French Partonopeus de Blois in the twelfth and thirteenth centuries by revisiting a little known text, a peculiar prolongation in the form of an Art d'aimer which has been added to a versified French translation of the Disciplina clericalis. This continuation exists in only one manuscript; recent advances in technology and new research have allowed the author to determine that quite large parts of this Art d'aimer have been borrowed from Partonopeus. He analyses these borrowings, reassesses the judgments of his predecessors, and concludes that Partonopeus de Blois might have had a much greater literary impact on the authors of other Old French texts than has previously been thought
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63.
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Mediaevalia:
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Issue: 2
Denis Hüe
Faire d'Armes, Parler d'Amour:
Les Strategies du Récit Dans Partonopeus de Blois
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In this paper the author revisits selected scenes of love and war from the Old French Partonopeus de Blois. He focuses on the rhetoric of these passages and by a close textual reading highlights the dynamics of the romance and the game of echoes between the two spheres. He underlines the symmetry of the discourse of love and war and the constant dialogue which is established by the anonymous author. Epic and courtly motifs are knowingly intertwined to create meaning and to renew the art of writing. He concludes that in this story, love is the way to redeem not only the knight but also the narrator of the romance.
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64.
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Mediaevalia:
Volume >
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Issue: 2
An Faems
Le Narrateur Amoureux de Parthonopeus Vanbloys
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This paper consists of a comparative study of the figure of the narrator in the Old French Partonopeus de Blois and the Middle Dutch Parthonopeus van Bloys. The author focuses on two key passages which illustrate the way in which the translator both maintains and adapts the narratorial interventions in the text. In general, the figure of the narrator in the Middle Dutch poem is a faithful recreation of his French predecessor; however, there are some significant differences between the two. In the first passage the addition of a reference to Ovid illustrates the relationship between the poet and his medieval Dutch public. The second passage forms part of the translator's own original continuation of the story of the sultan Margaris, which sees a significant shift in the function of the narrator and the tone of his interventions.
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65.
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Mediaevalia:
Volume >
25 >
Issue: 2
Mattia Cavagna
Le Désert-Forêt Dans le Roman de Partonopeus de Blois
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This paper analyses the importance of the forest in understanding the Old French Partonopeus de Blois. The forest embodies the dual nature of the romance, mixing religious and supernatural elements. It provides a structural framework for the action, as both parts of the romance start with a journey into the forest: it is the passage to the Otherworld, the frontier between reality and the unknown. Placed at the limit of the civilised world, the forest is the space of perigrinations and of reconciliation, both with other characters and with God. In Partonopeus the forest also leads to the sea, the next step in the journey to the Otherworld, and the passage from one realm of reality to the other is achieved with the help of an animal. The author also reflects on the otherworldly roles of Melior and Uraque, in the traditions of the fairy lover and the healing fairy.
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66.
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Mediaevalia:
Volume >
26 >
Issue: 1
Rosanna Brusegan
La Mémoire Du Texte:
L'art de l'Allusion Dans le Chievrefoil de Marie de France
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67.
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Mediaevalia:
Volume >
26 >
Issue: 1
Giovanna Angeli
Lanval et l'Oubli du Roi Arthur
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68.
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Mediaevalia:
Volume >
26 >
Issue: 1
Susan Small
Quelques Implications Semiotiques de l'Homonymie Cygne/Signe Telle Qu'elle s'Applique a Milun
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69.
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Mediaevalia:
Volume >
26 >
Issue: 1
Jean Batany
Les "Fables" de Marie et "Kalila et Dbina"
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70.
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Mediaevalia:
Volume >
26 >
Issue: 1
Giosuè Lachin
De La Vulgarisation a la Création:
Marie de France et la Réécriture
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71.
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Mediaevalia:
Volume >
26 >
Issue: 1
Donald Maddox
Le Lai et l'Esthesie Chez Marie de France
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72.
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Mediaevalia:
Volume >
26 >
Issue: 1
Myriam White
L'expression de la Subjectivite Dans Vespurgatoire Sant Patriz de Marie de France
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73.
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Mediaevalia:
Volume >
26 >
Issue: 1
Milena Mikhaïlova
A l'Ombre de la Lettre:
La Voix, la Note, le Chant, la Langue...
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74.
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The New Scholasticism:
Volume >
1 >
Issue: 1
Étienne Gilson
Le Rôle de la Philosophie dans l’Histoire de la Civilisation
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75.
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The New Scholasticism:
Volume >
1 >
Issue: 3
Réné Kremer
La Philosophie en Belgique en 1926
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76.
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The New Scholasticism:
Volume >
1 >
Issue: 4
Reg. Garrigou-Lagrange
Fondement de la Distinction de Puissance et Acte selon Saint Thomas
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77.
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The New Scholasticism:
Volume >
11 >
Issue: 2
G. Théry
Thomas le Cistercien:
Le commentaire du Cantique des Cantiques; pour dissiper une équivoque
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78.
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The New Scholasticism:
Volume >
12 >
Issue: 3
Etienne Axters
La Maître Cistercien Nicolas de Vaux-Cerney et Son Quodlibet
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79.
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The New Scholasticism:
Volume >
2 >
Issue: 2
Régis Jolivet
Le Mouvement Philosophique en France en 1926-1927
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80.
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The New Scholasticism:
Volume >
3 >
Issue: 2
Bruno DeSolages
Une Bataille pour Ia Scolastique
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