81.
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Chiasmi International:
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9
Patrick Burke
The Philosophy of Claude Lefort
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82.
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Michael J. Monahan
Universal Emancipation: Race Beyond Badiou
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Paget Henry
Du Bois, Classical and Contemporary Sociology: A Review of José Itzigsohn and Karida L. Brown’s, The Sociology of W.E.B. Du Bois
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Karolina Dos Santos
A Review of José Itzigsohn and Karida L. Brown’s, The Sociology of W.E.B. Du Bois
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85.
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Elisabeth Paquette
Diagne and Amselle’s In Search of Africa(s)
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86.
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Chiasmi International:
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22
Keith Whitmoyer
Review of Mauro Carbone, Philosophy-Screens: From Cinema to the Digital Revolution
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In this text, my aim is to provide a reading of Mauro Carbone’s Philosophy Screens: From Cinema to the Digital Revolution in the context of his other writings. My claim is that in this most recent work, Carbone makes a decisive step from being an original interpreter of the work of Merleau-Ponty and Proust to making an original contribution to what I describe, following Merleau-Ponty and Carbone, the history of “a-philosophy”: an historical attempt to reverse the “official philosophy” that has been with us since at least Plato. This reversal is staged through a series of concepts, created by Carbone, that I take up here viz à viz Plato’s allegory of the cave: the archescreen, the sensible idea, the screen, and philosophy-cinema (a concept borrowed from Deleuze). Together, these concepts illustrate what I call, borrowing a phrase from Jean-Luc Nancy, a philosophical partance: for Carbone, the work of “philosophizing” should no longer be conceptualized in accordance with Platonic imagery of ascent, illumination, conversion, and importantly, grasping and seizing upon the είδη but as “departure”: allowing the objects of thought their transcendence, a liquidity by which they slip through our grasp.
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87.
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24
Rajiv Kaushik
Review of Helen A. Fielding’s Cultivating Perception through Artworks: Phenomenological Enactments of Ethics, Politics, and Culture
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88.
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Chiasmi International:
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24
Bryan Smyth
Review of Galen A. Johnson, Mauro Carbone, and Emmanuel De Saint Aubert. Merleau-Ponty’s Poetic of the World: Philosophy and Literature
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89.
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Chromatikon: Annales de la philosophie en procès / Yearbook of Philosophy in Process:
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10
Roland Cazalis
Oord, The Nature of Love
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90.
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Chromatikon: Annales de la philosophie en procès / Yearbook of Philosophy in Process:
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10
Roland Cazalis
Oord, Defining Love
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91.
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Chromatikon: Annales de la philosophie en procès / Yearbook of Philosophy in Process:
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10
Roland Cazalis
Pugliese, The One, the Many, and the Trinity
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92.
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Chromatikon: Annales de la philosophie en procès / Yearbook of Philosophy in Process:
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7
Ronny Desmet
Thinking with Stengers and Whitehead
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93.
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Chromatikon: Annales de la philosophie en procès / Yearbook of Philosophy in Process:
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8
Marina Bakalova
Vesselin Petrov, Process Philosophical Reading
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94.
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Chiasmi International:
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25
Galen A. Johnson
Review of David Michael Kleinberg-Levin, Critical Studies on Heidegger: The Emerging Body of Understanding
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The present paper is a review of Critical Studies on Heidegger: The Emerging Body of Understanding (SUNY, 2023), by David Michael Kleinberg-Levin, who argues we can find a phenomenology of perception in Heidegger ultimately no different than that of Merleau-Ponty. The concept of “the emerging body of understanding” means the growth or “perfection” of human capabilities in perception – touch, vision, and hearing – that are attentive to our interconnectedness with others and nature as presented by the Fourfold. The conclusion of the review offers some evaluations regarding questions of influence and recently available course notes by Merleau-Ponty about Heidegger’s philosophy.
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25
Glen A. Mazis
Review of Petri Berndtson, Phenomenological Ontology of Breathing
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Petri Berndtson’s Phenomenological Ontology of Breathing points to the largely unexplored dimension of our being breathing beings. Berndtson draws upon the ontology of the flesh, as well as several comments of Merleau-Ponty about breathing and Being. The primordial perceptual faith in the being of the world as a field of all fields (the “barbaric conviction”) is seen as a primordial sense of breathing in the world (“respiratory faith”). Drawing upon Merleau-Ponty’s reference to Claudel’s call to listen to the ear of Sigé, the Abyss, Berndtson relates silence in the encounter with Being to an encounter with silence of breath and its abyssal or chasmological (“yawning”) quality. He asserts that this level of breathing is a level of being-in-the-world deeper than the primacy of perception. At this point, the review questions the author’s assertion that this dimension is more primordial than perception, that Merleau-Ponty has a positivistic framing of perception, the author’s literal sense of silence and the lack of appreciation of the power of the poetic in flesh ontology, the role of reversibility and the import of the invisible of the visible. Rather than the ontological primacy of breath, the review suggests that breathing is a way of taking in the world and being open to an aerial dimension of inchoate sense that is equiprimordial with the other avenues of perceiving the world.
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Frederick Mills
Jorge Zúñiga M. Enrique Dussel. Retratos de una filosofía de la liberación
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97.
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Marilyn Nissim-Sabat
Affectivity and Marxism after Luxemburg:
A Review of Hjalmar Joffre-Eichhorn’s Post Rosa: Letters Against Barbarism
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98.
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August Shipman
Disaggregating the State from the Euromodern State:
The Significance of Statelessness and Contemporary Enslavement for Marxism beyond the Ivory Tower
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99.
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Justin Wooley
A Review of Miraj U. Desai, Derek Hook, and Leswin Laubscher (eds.) Fanon, Phenomenology, and Psychology
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100.
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Thomas Jay Lynn
Of Wandering, Theory, and Transcendence: A Review of Ashmita Khasnabish’s Virtual Diaspora, Postcolonial Literature and Feminism
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