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Displaying: 81-100 of 360 documents

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81. Film and Philosophy: Volume > 9
Alfred Drake Burgess, Kubrick, and the Enlightenment Narrative of Progress
82. Film and Philosophy: Volume > 9
Dan Shaw Editor's Introduction
83. Film and Philosophy: Volume > 9
Dan Shaw Kubrick Contra Nihilism: A Clockwork Orange
84. Film and Philosophy: Volume > 9
Iddo Landau The Dialectic of Authenticity and Inauthenticity in Jesus of Montreal
85. Film and Philosophy: Volume > 9
Temenuga Trifonova Mind and Body Snatchers: The Evolution of the Sci-Fi Film Genre
86. Film and Philosophy: Volume > 9
Natalia Skradol Peter Greenaway and Walter Benjamin: Visual Quoting, Hieroglyphic Montage and The Arcades Project
87. Film and Philosophy: Volume > 9
Recent Titles by SPSCVA Members
88. Film and Philosophy: Volume > 10
Dan Flory Editor's Introduction
89. Film and Philosophy: Volume > 10
lls Huygens Emotion and Film Theory: Incorporating Affect
90. Film and Philosophy: Volume > 10
Amy Coplan Caring about Characters: Three Determinants of Emotional Engagement
91. Film and Philosophy: Volume > 10
Margrethe Bruun Vaage The Empathetic Film Spectator in Analytic Philosophy and Naturalized Phenomenology
92. Film and Philosophy: Volume > 10
C. Paul Sellors A Realist Account of Fiction
93. Film and Philosophy: Volume > 10
Scott Stroud Pragmatist Aesthetics and Film: The Thin Red Line and Orientational Meliorism
94. Film and Philosophy: Volume > 10
Aaron Smuts V. F. Perkins' Functional Credibility and the Problem of Imaginative Resistance
95. Film and Philosophy: Volume > 10
Greg M. Smith Reflecting the Image: Satrean Emotions in the Writings of Andre Bazin
96. Film and Philosophy: Volume > 10
Kevin L. Stoehr The Dialectical Approach to the Art of the Moving Image: Hegel, Eisenstein and Kracauer
97. Film and Philosophy: Volume > 10
Jonathan Lahey Dronsfield The Condition of Film as Philosophy: Or, How Can a Film Ask a Question?
98. Film and Philosophy: Volume > 10
Andrew Light Objectivity and the Film of Presumptive Assertion
99. Film and Philosophy: Volume > 10
Noël Carroll The Moving Image: Form and Fact-Response to Tom Wartenberg and Andrew Light
100. Film and Philosophy: Volume > 10
Thomas Wartenberg Understanding Film Form: A Critique of Carroll's Functional Account