Displaying: 81-100 of 673 documents

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81. Chôra: Volume > 2
Jean Jolivet L'«augustinisme avicennisant» au XIIᵉ siècle: un effet de mirage
82. Chôra: Volume > 2
Maurice-Ruben Hayoun Moïse de Narbonne (1300-1362) et l'averroïsme juif
83. Chôra: Volume > 2
Kristina Mitalaïté Les Latins face aux icônes (les Libri Carolini)
84. Chôra: Volume > 3/4
Barbara Obrist Le démoniaque dans l'iconographie cosmologique du XIIᵉ siècle
85. Chôra: Volume > 3/4
Christian Trottmann Le dépassement de toute représentation dans le De Icona
86. Chôra: Volume > 3/4
Jean Jolivet L'image selon les Chartrains
87. Chôra: Volume > 3/4
Jean-Luc Solère L'image comme philosophème
88. Chôra: Volume > 3/4
Anca Vasiliu Racines platoniciennes pour une philosophie de l'image
89. Chôra: Volume > 3/4
Irene Caiazzo Sur la distinction sénéchienne idea/idos au XIIᵉ siècle
90. Chôra: Volume > 3/4
Dominique Poirel Les statuts de l'image chez Hugues de Saint-Victor
91. Chôra: Volume > 3/4
Meryem Sebti Intellection, imagination et aperception de soi dans le Livre du résultat (Kitāb al-Taḥsῑl) de Bahmanyār Ibn al-Marzūbān
92. Chôra: Volume > 3/4
Annie Yacob Les incidences de la camera oscura sur la peinture de Léonard de Vinci
93. Chôra: Volume > 3/4
Gérard Sondag Jean de Damas et Jean Duns Scot sur l'infinité de l'essence divine
94. Chôra: Volume > 3/4
Graziella Federici-Vescovini Image et représentation optique: Blaise de Parme et Léon-Baptiste Alberti
95. Chôra: Volume > 3/4
Kim Sang Ong-Van-Cung Les raisons d'agir sont-elles des représentations? Thomas d'Aquin et la philosophie de l'action
96. Chôra: Volume > 3/4
Alexander Baumgarten Possibilité et passivité dans la théorie aristotélicienne de l.intellect
97. Chôra: Volume > 3/4
Christophe Grellard Sicut specula sine macula. La perception et son objet chez Nicolas d'Autrécourt
98. Chôra: Volume > 3/4
Max Lejbowicz Optique instrumentale et iconographie
99. Chôra: Volume > 5
Annick Charles-Saget Le Moi et son Visage. Visage et Lumière selon Plotin
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For Plotinus, the human face is that part of the body where the light of intelligibility can be shown through in the best way. It is why the face is beautiful, and, for this reason, it can be compared to the most beautiful things of the world. The stars, for example. But an issue raises immediately: when the face is compared to things of beauty, is not the actual meaning of the human face that could be lost? This question can be thought again in the Christian world, and also, thanks to Emmanuel Levinas, in the contemporary philosophy.
100. Chôra: Volume > 5
Andrei Cornea Paradoxe du Mal et «ressemblances de famille»
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Paradox of the Evil and "Family Ressemblances". The paper tackles the problem of Matter and evil in Plotinus. monistic metaphysics, especially in theperspective of the following aparent inconsistency: if there is no other principle but the Good, then the Good creates the Matter which is the absolute evil. Itfollows that the Good is bad, according to a certain axiom of Proclus, which states that the creator is to a higher degree all what the creature is. The authorshows that, despite what Proclus and then many modern critics believed, Plotinus is consistent within his system. He relies on the axiom that the creature is not all what the creator is, i.e. that the creator also gives what he has not. Therefore, the One gives the Intellect multiplicity and thought which He is deprived of and also gives the Matter the evil which He is also deprived of. The paper also shows that Plotinus developed a logic of ontological procession which is not Aristotelian. This logic does not work by formind classes, but chains of partially intransitive ressemblances. So, the Intellect ressembles the One (the Good), the Soul ressembles the Intellect and the Matter ressembles the Soul; yet the Matter resembles the One no more. Yet, the unity of the world is assured, because of the continuity of the chain. The extreme terms are contrary, though not in the Aristotelian sense of sharing in the same genus. A certain similarty with Wittgenstein's logic of "family resemblances" is striking, which means that not only Wittgenstein, but Plotinus also went beyond the Platonic-Aristotelian Vulgata, even while he was sticking to its linguage.